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The Dark Tower - Stephen King [319]

By Root 1138 0
a scrim. Groves of trees dotted the ground ahead, but Susannah thought the land would soon be almost entirely open, like the prairies of the American Midwest. There were bushes that probably supported berries in warm weather—perhaps even pokeberries—but now they were bare and clattering in the nearly constant wind. Mostly what they saw on either side of Tower Road—which had once been paved but had now been reduced to little more than a pair of broken ruts—were tall grasses poking out of the thin snow-cover. They whispered in the wind and Susannah knew their song: Commala-come-come, journey’s almost done.

“I may go no further,” Bill said, shutting down the plow and cutting off Little Richard in mid-rave. “Tell ya sorry, as they say in the Arc o’ the Borderlands.”

Their trip had taken one full day and half of another, and during that time he had entertained them with a constant stream of what he called “golden oldies.” Some of these were not old at all to Susannah; songs like “Sugar Shack” and “Heat Wave” had been current hits on the radio when she’d returned from her little vacation in Mississippi. Others she had never heard at all. The music was stored not on records or tapes but on beautiful silver discs Bill called “ceedees.” He pushed them into a slot in the plow’s instrument-cluttered dashboard and the music played from at least eight different speakers. Any music would have sounded fine to her, she supposed, but she was especially taken by two songs she had never heard before. One was a deliriously happy little rocker called “She Loves You.” The other, sad and reflective, was called “Hey Jude.” Roland actually seemed to know the latter one; he sang along with it, although the words he knew were different from the ones coming out of the plow’s multiple speakers. When she asked, Bill told her the group was called The Beetles.

“Funny name for a rock-and-roll band,” Susannah said.

Patrick, sitting with Oy in the plow’s tiny rear seat, tapped her on the shoulder. She turned and he held up the pad through which he was currently working his way. Beneath a picture of Roland in profile, he had printed: BEATLES, not Beetles.

“It’s a funny name for a rock-and-roll band no matter which way you spell it,” Susannah said, and that gave her an idea. “Patrick, do you have the touch?” When he frowned and raised his hands—I don’t understand, the gesture said—she rephrased the question. “Can you read my mind?”

He shrugged and smiled. This gesture said I don’t know, but she thought Patrick did know. She thought he knew very well.


Three


They reached “the Federal” near noon, and there Bill served them a fine meal. Patrick wolfed his and then sat off to one side with Oy curled at his feet, sketching the others as they sat around the table in what had once been the common room. The walls of this room were covered with TV screens—Susannah guessed there were three hundred or more. They must have been built to last, too, because some were still operating. A few showed the rolling hills surrounding the Quonset, but most broadcast only snow, and one showed a series of rolling lines that made her feel queasy in her stomach if she looked at it too long. The snow-screens, Bill said, had once shown pictures from satellites in orbit around the Earth, but the cameras in those had gone dead long ago. The one with the rolling lines was more interesting. Bill told them that, until only a few months ago, that one had shown the Dark Tower. Then, suddenly, the picture had dissolved into nothing but those lines.

“I don’t think the Red King liked being on television,” Bill told them. “Especially if he knew company might be coming. Won’t you have another sandwich? There are plenty, I assure you. No? Soup, then? What about you, Patrick? You’re too thin, you know—far, far too thin.”

Patrick turned his pad around and showed them a picture of Bill bowing in front of Susannah, a tray of neatly cut sandwiches in one metal hand, a carafe of iced tea in the other. Like all of Patrick’s pictures, it went far beyond caricature, yet had been produced with a speed

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