The Daughter of an Empress [132]
hand will now be effected the miracle of turning the wine into the blood of Christ!
And Cardinal Albani lays the golden tube in the cup, and another cardinal passes the other end of the tube to the pope.
Through this sacred tube will he sip the consecrated wine, the blood of the Redeemer!
Rushing and thundering recommences the high office, the trumpets renew their blasts, the drums roll, the bells ring, the organ rattles its song of jubilee, the trombones crash in unison. It is the greatest, most sublime moment of the whole ceremony. The pope, having put the golden tube to his lips, sips the wine changed into blood.
While the pope drinks the two cardinals who to-day are on service approach the sacred throne. They hold a torch in the right hand and a small bundle of tow in the left, and according to the custom, set the tow on fire.
It flashes up in a bright flame, is soon extinguished, and a small, almost imperceptible quantity of ashes floats from it to the feet of the pope.
"/Sic transit gloria mundi!/" (So passes the glory of the world!) exclaimed Francesco Albani, with proud presumptuousness and with maliciously scornful glances, while with an expression of savage triumph he stares in the paling face of the pope. "/Sic transit gloria mundi!/" repeated Albani, in a yet louder and more thundering voice.
The bells ring, the hymn resounds, the trombone and organ clang; the audience are on their knees in prayer. A bustle arises, a suppressed murmur--the holy father of Christendom has fainted upon his throne like any common mortal man.
THE VAPO
Since Paulo had left her, and she found herself alone, Natalie felt sad, solitary, in the paradise that surrounded her. No longer did she sing in emulation of the birds, no longer did she hop with youthful delight and the impetuosity of a young roe through the charming alleys. Sadly, and with downcast eyes, sat she under the myrtle bush by the murmuring fountains, and frequent heavy sighs heaved her laboring breast.
"All is changed, all!" she often thoughtfully said to herself. "A great and terrible secret has been unveiled within me--the secret of my utter abandonment! I have no one on earth to whom I belong! Once I never thought of that. Paulo was all to me, my friend, my father, my brother; but Paulo has abandoned me, I belong not to him, and hence I could not go with him. And who is left to me? Carlo!" she answered herself in a low tone, and with a melancholy smile. "But Carlo has not filled the void that Paulo's absence has left in my heart. At first I thought he could, but that was only a short deception. Carlo is good and kind, always devoted, always ready to serve me. He always conforms himself to my will, is all subjection, all obedience. But that is terrible, unbearable!" exclaimed the almost weeping young maiden. "Who, then, shall I obey, before whom shall I tremble, when all obey me and tremble before me? And yet Carlo is a man. No," said she, quite low; "were he so I should then obey him, and not he me; then would he give me commands, and not I him! No, Carlo is no man--Paulo was so! Where art thou, my friend, my father?"
And the young maiden yearningly spread her arms in the air, calling upon her distant friend with tender, low-whispered words and heartfelt longings.
But the days slowly passed, and still no news came from him. Natalie dreamily and sadly sank deeper into herself; her cheeks paled, her step became less light and elastic. In vain did her true friends, Marianne and Carlo, exhaust themselves in projects and propositions for her distraction and amusement.
"You should go into the world and amuse yourself in society, princess," said Carlo.
"I hate the world and society," said Natalie. "People are all bad, and I abominate them. What had I done to these people, how had I offended them even in thought, and yet they would have murdered me the very first time I appeared among them? No, no, leave me here in my solitude, where I at least have not to tremble for my life, where I have Carlo to guard and protect me."
The singer
And Cardinal Albani lays the golden tube in the cup, and another cardinal passes the other end of the tube to the pope.
Through this sacred tube will he sip the consecrated wine, the blood of the Redeemer!
Rushing and thundering recommences the high office, the trumpets renew their blasts, the drums roll, the bells ring, the organ rattles its song of jubilee, the trombones crash in unison. It is the greatest, most sublime moment of the whole ceremony. The pope, having put the golden tube to his lips, sips the wine changed into blood.
While the pope drinks the two cardinals who to-day are on service approach the sacred throne. They hold a torch in the right hand and a small bundle of tow in the left, and according to the custom, set the tow on fire.
It flashes up in a bright flame, is soon extinguished, and a small, almost imperceptible quantity of ashes floats from it to the feet of the pope.
"/Sic transit gloria mundi!/" (So passes the glory of the world!) exclaimed Francesco Albani, with proud presumptuousness and with maliciously scornful glances, while with an expression of savage triumph he stares in the paling face of the pope. "/Sic transit gloria mundi!/" repeated Albani, in a yet louder and more thundering voice.
The bells ring, the hymn resounds, the trombone and organ clang; the audience are on their knees in prayer. A bustle arises, a suppressed murmur--the holy father of Christendom has fainted upon his throne like any common mortal man.
THE VAPO
Since Paulo had left her, and she found herself alone, Natalie felt sad, solitary, in the paradise that surrounded her. No longer did she sing in emulation of the birds, no longer did she hop with youthful delight and the impetuosity of a young roe through the charming alleys. Sadly, and with downcast eyes, sat she under the myrtle bush by the murmuring fountains, and frequent heavy sighs heaved her laboring breast.
"All is changed, all!" she often thoughtfully said to herself. "A great and terrible secret has been unveiled within me--the secret of my utter abandonment! I have no one on earth to whom I belong! Once I never thought of that. Paulo was all to me, my friend, my father, my brother; but Paulo has abandoned me, I belong not to him, and hence I could not go with him. And who is left to me? Carlo!" she answered herself in a low tone, and with a melancholy smile. "But Carlo has not filled the void that Paulo's absence has left in my heart. At first I thought he could, but that was only a short deception. Carlo is good and kind, always devoted, always ready to serve me. He always conforms himself to my will, is all subjection, all obedience. But that is terrible, unbearable!" exclaimed the almost weeping young maiden. "Who, then, shall I obey, before whom shall I tremble, when all obey me and tremble before me? And yet Carlo is a man. No," said she, quite low; "were he so I should then obey him, and not he me; then would he give me commands, and not I him! No, Carlo is no man--Paulo was so! Where art thou, my friend, my father?"
And the young maiden yearningly spread her arms in the air, calling upon her distant friend with tender, low-whispered words and heartfelt longings.
But the days slowly passed, and still no news came from him. Natalie dreamily and sadly sank deeper into herself; her cheeks paled, her step became less light and elastic. In vain did her true friends, Marianne and Carlo, exhaust themselves in projects and propositions for her distraction and amusement.
"You should go into the world and amuse yourself in society, princess," said Carlo.
"I hate the world and society," said Natalie. "People are all bad, and I abominate them. What had I done to these people, how had I offended them even in thought, and yet they would have murdered me the very first time I appeared among them? No, no, leave me here in my solitude, where I at least have not to tremble for my life, where I have Carlo to guard and protect me."
The singer