The Daughter of an Empress [140]
Carlo long lay stretched on the floor, pale, with the death-rattle in his throat. In a bright stream flowed the blood from the wound made by his brother's dagger. Natalie knelt by him. No tear was in her eye, no lamentation escaped her lips. She seemed perfectly calm and collected in her excess of sorrow; she only sought with her robe and her hair to cover Carlo's wound and stop the flow of blood.
A happy smile played upon Carlo's blue lips.
"I die," he murmured, "but I die for thee! Thy /vapo/ has kept his word, he has defended thee until his last breath! How good is God! He lets me die in thy service!"
"No, no, you must not die!" cried Natalie, her calmness giving way to the wildest sorrow. "No, Carlo, you must live! Oh, say not that you die! Ah, you love me, and yet you would leave me alone! Only live, and I also will love you, Carlo, as warmly and as glowingly as you love me! Do but remain with me, and my heart, my life shall be yours!"
"Too late! too late!" murmured Carlo, with dying lips. Remember me, Natalie--I have dearly loved you. I die happy, for I die in your arms!"
"No, no, you shall live in my arms!" sobbed she. "I will be yours-- your bride!"
"Kiss me, my bride," he falteringly stammered.
She bent over him, and with hers she touched his lips, already stiffening in death. She laid her warm, glowing cheek to his cold and marble-pale face; that full, fresh life pressed that which was cold and expiring to her bosom in an ardent struggle with death! In vain!
Death is inexorable. What he has once touched with his hand, that is past recovery, it is his.
The blood no longer flowed from Carlo's wound, the breath no longer rattled in his throat--it was silent; but a blessed smile still lay upon his lips. With this smile had he died, happy, blessed in the embrace of her he had so truly loved.
When Marianne, after long and vain efforts to open the door, had finally managed, by tying her bed-clothes together, to let herself down into the garden, and had thence hastened into the house, and up into Natalie's chamber, she found there all silent and still. Nothing stirred. Natalie lay in a deathlike swoon.
He, Carlo, already stiffened in death, and she, the senseless Natalie, with her head reclining against the marble face of her friend!
Poor Natalie! Why must Marianne succeed in awakening thee from thy swoon? Why did you not let her continue in her insensibility, Marianne? In sleep, she at least would not have realized that she was now left entirely alone, entirely abandoned, with no one to defend her against her cruel and artful enemies, of whose existence she never once dreamed!
INTRIGUES
Count Orloff lay in a comfortable, careless position upon his divan, leisurely smoking his long Turkish pipe. Before him stood Joseph Ribas, laughingly relating in his own comic manner the occurrences of the preceding night.
"You are a wonderful man," said Orloff, when Joseph had finished. "You have honestly earned your epaulets, and to-day you will for the first time appear at my dinner-table as a Russian officer. Ah, I prophesy a great future for you. You have the requisite skill and address to make your fortune. You are shrewd, daring, and you recoil from no means, finding them all good and useful when they forward your aims. With such principles one may go far in this world, and Russia in fact offers you the best opportunity for bringing all these fine talents into use."
"And, moreover, I commenced my Russian career with a good omen," said Joseph. "I have placed a murder at the head of my Russian deeds! That is a promising commencement, is it not, Sir Count? You must know that better than any one."
"Indeed yes, I must best know that," said the count, laughing, and continually stroking his long black beard. "By a fair and well-timed murder one can always make his fortune in Russia. A well-timed and well-executed murder is with us often rewarded with a barony and the title of count. Indeed, sometimes with the highest and tenderest imperial favor and grace. Ah, a murder at the right
A happy smile played upon Carlo's blue lips.
"I die," he murmured, "but I die for thee! Thy /vapo/ has kept his word, he has defended thee until his last breath! How good is God! He lets me die in thy service!"
"No, no, you must not die!" cried Natalie, her calmness giving way to the wildest sorrow. "No, Carlo, you must live! Oh, say not that you die! Ah, you love me, and yet you would leave me alone! Only live, and I also will love you, Carlo, as warmly and as glowingly as you love me! Do but remain with me, and my heart, my life shall be yours!"
"Too late! too late!" murmured Carlo, with dying lips. Remember me, Natalie--I have dearly loved you. I die happy, for I die in your arms!"
"No, no, you shall live in my arms!" sobbed she. "I will be yours-- your bride!"
"Kiss me, my bride," he falteringly stammered.
She bent over him, and with hers she touched his lips, already stiffening in death. She laid her warm, glowing cheek to his cold and marble-pale face; that full, fresh life pressed that which was cold and expiring to her bosom in an ardent struggle with death! In vain!
Death is inexorable. What he has once touched with his hand, that is past recovery, it is his.
The blood no longer flowed from Carlo's wound, the breath no longer rattled in his throat--it was silent; but a blessed smile still lay upon his lips. With this smile had he died, happy, blessed in the embrace of her he had so truly loved.
When Marianne, after long and vain efforts to open the door, had finally managed, by tying her bed-clothes together, to let herself down into the garden, and had thence hastened into the house, and up into Natalie's chamber, she found there all silent and still. Nothing stirred. Natalie lay in a deathlike swoon.
He, Carlo, already stiffened in death, and she, the senseless Natalie, with her head reclining against the marble face of her friend!
Poor Natalie! Why must Marianne succeed in awakening thee from thy swoon? Why did you not let her continue in her insensibility, Marianne? In sleep, she at least would not have realized that she was now left entirely alone, entirely abandoned, with no one to defend her against her cruel and artful enemies, of whose existence she never once dreamed!
INTRIGUES
Count Orloff lay in a comfortable, careless position upon his divan, leisurely smoking his long Turkish pipe. Before him stood Joseph Ribas, laughingly relating in his own comic manner the occurrences of the preceding night.
"You are a wonderful man," said Orloff, when Joseph had finished. "You have honestly earned your epaulets, and to-day you will for the first time appear at my dinner-table as a Russian officer. Ah, I prophesy a great future for you. You have the requisite skill and address to make your fortune. You are shrewd, daring, and you recoil from no means, finding them all good and useful when they forward your aims. With such principles one may go far in this world, and Russia in fact offers you the best opportunity for bringing all these fine talents into use."
"And, moreover, I commenced my Russian career with a good omen," said Joseph. "I have placed a murder at the head of my Russian deeds! That is a promising commencement, is it not, Sir Count? You must know that better than any one."
"Indeed yes, I must best know that," said the count, laughing, and continually stroking his long black beard. "By a fair and well-timed murder one can always make his fortune in Russia. A well-timed and well-executed murder is with us often rewarded with a barony and the title of count. Indeed, sometimes with the highest and tenderest imperial favor and grace. Ah, a murder at the right