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The Death Cure - James Dashner [84]

By Root 734 0
more feet, turning in the right direction. Then a few more.

“I think I’ve got it!” Lawrence yelled.

Again forward, this time maybe ten feet. The Cranks followed as best they could—the short moment of silence as they were left behind didn’t last, though. Soon the screams and thumps and bangs began all over again. A man reached through the hole in the back with a long knife, started slashing left and right at anything and nothing. Thomas lifted his gun and fired. How many had he killed? Three? Four? Had he killed them?

With one last long, terrible squeal, the van shot forward and then didn’t stop. It bounced a couple of times as it ran over the Cranks who’d been in their path; then it smoothed out and picked up speed. Thomas looked out the back, saw bodies falling off the roof and onto the street. The remaining Cranks gave chase, but soon they were all left behind.

Thomas collapsed onto the seat, lying on his back, staring up at the dented roof. He sucked in huge, heavy breaths, tried to regain control of his emotions. He was barely aware of Lawrence turning off the one headlight that hadn’t been smashed, making two more turns, then slipping through an open garage door that closed as soon as they cleared it.

CHAPTER 50


When the van pulled to a stop and Lawrence shut off the engine, silence enveloped Thomas’s world. The only thing he heard was the rush of pumping blood inside his head. He closed his eyes and tried to slow his breathing. Neither of the other two said anything for a couple of minutes, until Lawrence broke the silence.

“They’re out there, surrounding us, waiting for us to get out.”

Thomas forced himself to sit up and face the front again. Outside the broken windows, it was totally dark.

“Who?” Brenda asked.

“The boss’s guards. They know this is one of their vans, but they won’t approach us until we get out and show ourselves. They need to confirm who we are—I’d guess we have about twenty weapons aimed at us right now.”

“So what do we do?” Thomas asked, not ready for another confrontation.

“We get out, nice and slow. They’ll recognize me soon enough.”

Thomas crawled over the seats. “Do we get out at the same time, or should just one of us go first?”

“I’ll get out first, tell them it’s okay. Wait until I knock on the window to get out,” Lawrence answered. “Ready?”

“I guess,” Thomas sighed.

“It would really suck,” Brenda said, “if we went through all that just to have them shoot us. I’m sure I look like a Crank right about now.”

Lawrence opened his door and Thomas waited, anxious for his cue. The loud rap on the frame of the van startled Thomas, but he was ready.

Brenda eased her door open slowly and stepped out. Thomas followed her, straining to see in the darkness, but the room was pitch-black.

A loud click sounded and the place was instantly flooded with bright white light. Thomas threw his hands up and squeezed his eyes shut, then, shielding himself, squinted to see what was going on. A huge spotlight mounted on a tripod was pointed directly at them. He could just make out the silhouettes of two figures on either side of it. Scanning the rest of the room, he saw that there were at least a dozen other people, all holding various types of weapons, just as Lawrence had said there would be.

“Lawrence, is that you?” a man called out, his voice echoing against concrete walls. It was impossible to tell which person had spoken.

“Yeah, it’s me.”

“What happened to our van, and who are these people? Tell me you didn’t bring infecteds in here.”

“We got jumped by a huge group of Cranks down the alley a ways. And these guys are Munies—they forced me to bring them to you. They want to see the boss.”

“Why?” the man asked.

“They said—”

The man cut Lawrence off. “No, I want to hear it from them. State your names, why you forced our man to come here and destroy one of the few vehicles we have left. And it better be a good reason.”

Thomas and Brenda exchanged a look to see who should talk and Brenda nodded to him.

He returned his gaze to the spotlight, focusing on the person to the right of it.

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