hearing the night rain sough down through the pines: they were not frightened at all. They always stayed in places before the season, when the funicular was not working yet. All the other people in that pension had been German or Swiss: it was a wooden building with fretwork balconies. Their room, though it was a back room facing into the pinewoods, had a balcony; they would run away from the salon and spend the long wet afternoons there. They would lie down covered with coats, leaving the window open, smelling the wet woodwork, hearing the gutters run. Turn abouts, they would read aloud to each other the Tauchnitz novels they had bought in Lucerne. Things for tea, the little stove and a bottle of violet methylated spirits stood on the wobbly commode between their beds, and at four o'clock Portia would make tea. They ate, in alternate mouthfuls, block chocolate and brioches. Postcards they liked, and Irene's and Portia's sketches were pinned to the pine walls; stockings they had just washed would be exposed to dry on the radiator, although the heating was off. Sometimes they heard a cow bell in the thick distance, or people talking German in the room next door. Between five and six the rain quite often stopped, wet light crept down the trunks of the pines. Then they rolled off their beds, put their shoes on, and walked down the village street to the viewpoint over the lake. Through torn mist they would watch the six o'clock steamer chuff round the cliff and pull in at the pier. Or they would attempt to read the names on the big still shut hotels on the heights opposite. They looked at the high chalets stuck on brackets of grass—they often used to wish they had field-glasses, but Mr. Quayne's field-glasses had been sent home to Thomas. On the way home they met the cows being driven down through the village—kind cows, damp, stumbling, plagued by their own bells. Or the Angelus coming muffled across the plateau would make Irene sigh, for once she had loved church. To the little Catholic church they had sometimes guiltily been, afraid of doing the wrong thing, feeling they stole grace. When they left that high-up village, when they left for ever, the big hotels were just being thrown open, the funicular would begin in another day. They drove down in a fly, down the familiar zigzag, Irene moaning and clutching Portia's hand. Portia could not weep at leaving the village, because her mother was in such pain. But she used to think of it while she waited at the Lucerne clinic, where Irene had the operation and died: she died at six in the evening, which had always been their happiest hour.
A whir from Thomas's clock—it was just going to strike six. Six, but not six in June. At this hour, the plateau must be in snow, and but for the snow dark, with lights behind shutters, perhaps a light in the church. Thomas sits so fallen-in, waiting for Anna, that his clock makes the only sound in his room. But our street must be completely silent with snow, and there must be snow on our balcony.
"The lake was frozen this morning," she said to him.
"Yes, so I saw."
"But it broke up this afternoon; there were swans on it.... I suppose it will freeze again."
St. Quentin could be heard saying goodbye to Anna, outside in the hall. Thomas quickly picked up the Evening Standard and played at reading it. Portia pressed the palms of her hands to her eyes, got quickly up and went to turn over books at a far table, so that she could keep her back to the room. The table toppled with books that had no place: Anna wanted this room to look cheerfully casual, Thomas made it formlessly untidy. When St. Quentin had slammed the hall door on his own last remark, Anna came smiling into the study. Thomas seemed to wait while he counted three, then he looked at her over the Evening Standard.
"Well, darling," said Anna, "poor St. Quentin has gone."
"I hope you didn't turn him out?"
"Oh no," said Anna vaguely, "he just shot out in his usual way." She found Thomas's glass on the floor, and said: "Have you and Portia been having a drink?"
"No, that's only mine."