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The Death of the Heart - Elizabeth Bowen [24]

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won't, you will understand: I feel we are friends already. I was sad, going away, for various reasons, but one was that I thought you must have gone to bed by then, and that I should not see you again. So I cannot tell you what a surprise it was finding you there in the hall, holding my hat. I saw then that you must have been seeing how depressed I was, and that you wanted, you darling, to cheer me up. I cannot tell you what your suddenly being there like that in the hall, and giving me my hat as I went away, meant. I know I didn't behave well, up there in the drawingroom, and I'm afraid I behaved even worse after you went away, but that was not altogether my fault. You know how I love Anna, as I'm sure you do too, but when she starts to say to me "Really, Eddie", I feel like a wild animal, and behave accordingly. I am much too influenced by people's manner towards me—especially Anna's, I suppose. Directly people attack me, I think they are right, and hate myself, and then I hate them—the more I like them this is so. So I went downstairs for my hat that night (Monday night, wasn't it?) feeling perfectly black. When you appeared in the hall and so sweetly gave me my hat, everything calmed down. Not only your being there, but the thought (is this presumptuous of me?) that perhaps you had actually been waiting, made me feel quite in heaven. I could not say so then, I thought you might not like it, but I cannot help writing to say so now.

Also, I once heard you say, in the natural way you say things, that you did not very often get letters, so I thought perhaps you might like to get this. You and I are two rather alone people—with you that is just chance, with me, I expect, it is partly my bad nature. I am so difficult, you are so good and sweet. I feel particularly alone tonight (I am in my flat, which I do not like very much) because I tried just now to telephone to Anna about something and she was rather short, so I did not try any more. I expect she gets bored with me, or finds me too difficult. Oh Portia, I do wish you and I could be friends. Perhaps we could sometimes go for walks in the park? I sit here and think how nice it would be if—

"Portia!" said Miss Paullie. Portia leaped as though she had been struck. "My dear child, don't sit hunched like that. Don't work under the table. Put your work on the table. What have you got there? Don't keep things on your knee."

As Portia still did nothing, Miss Paullie pushed her own small table from in front of her chair, got up and came swiftly round to where Portia sat. All the girls stared.

Miss Paullie said: "Surely that is not a letter? This is not the place or the time to read your letters, is it? I think you must notice that the other girls don't do that. And, wherever one is, one never does read a letter under the table: have you never been told? What else is that you have on your knee? Your bag? Why did you not leave your bag in the cloakroom? Nobody will take it here, you know. Now, put your letter away in your bag again, and leave them both in the cloakroom. To carry your bag about with you indoors is a hotel habit, you know."

Miss Paullie may not have known what she was saying, but one or two of the girls, including Lilian, smiled. Portia got up, looking unsteady, went to the cloakroom and lodged her bag on a ledge under her coat—a ledge along which, as she saw now, all the other girls' bags had been put. But Eddie's letter, after a desperate moment, she slipped up inside her woollen directoire knickers. It stayed just inside the elastic band, under one knee.

Back in the billiardroom, the girls' brush-glossed heads were bent steadily over their books again. These silent sessions in Miss Paullie's presence were, in point of fact (and well most of them knew it) lessons in the deportment of staying still, of feeling yourself watched without turning a hair. Only Portia could have imagined for a moment that Miss Paullie's eye was off what any girl did. A little raised in her gothic chair, like a bishop, Miss Paullie's own rigid stillness quelled every young body,

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