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By Root 1150 0

is properly the first in the order of reading, though the last in that of publication. In this book the hero is represented as just arriving at manhood, with the freshness of feeling that belongs to that interesting period of life, and with the power to please that properly characterizes youth. As a consequence, he is loved; and, what denotes the real waywardness of humanity, more than it corresponds with theories and moral propositions, perhaps, he is loved by one full of art, vanity, and weakness, and loved principally for his sincerity, his modesty, and his unerring truth and probity. The preference he gives to the high qualities named, over beauty, delirious passion, and sin, it is hoped, will offer a lesson that can injure none. This portion of the book is intentionally kept down, though it is thought to be suf ficiently distinct to convey its moral.

The intention has been to put the sisters in strong contrast; one, admirable in person, clever, filled with the pride of beauty, erring, and fallen; the other, barely provided with sufficient capacity to know good from evil, instinct, notwithstanding, with the virtues of woman, reverencing and loving God, and yielding only to the weakness of her sex, in admiring personal attractions in one too coarse and unobservant to distinguish or to understand her quiet, gentle feeling in his favor.

As for the scene of this tale, it is intended for, and believed to be a close description of the Otsego, prior to the year 1760, when the first rude settlement was commenced on its banks, at that time only an insignificant clearing near the outlet, with a small hut of squared logs, for the temporary dwelling of the Deputy Superintendent of Indian affairs. The recollections of the writer carry him back distinctly to a time when nine tenths of the shores of this lake were in the virgin forest, a peculiarity that was owing to the circumstance of the roads running through the first range of valleys removed from the water side. The woods and the mountains have ever formed a principal source of beauty with this charming sheet of water, enough of the former remaining to this day to relieve the open grounds from monotony and tameness.

In most respects the descriptions of scenery in the tale are reasonably accurate. The rock appointed for the rendezvous between the Deerslayer and his friend the Delaware still remains, bearing the name of the Otsego Rock. The shoal on which Hutter is represented as having built his “castle” is a little misplaced, lying, in fact, nearer to the northern end of the lake, as well as to the eastern shore, than is stated in this book. Such a shoal, however, exists, surrounded on all sides by deep water. In the dryest seasons a few rocks are seen above the surface of the lake, and rushes, at most periods of the year, mark its locality. In a word, in all but precise position, even this feature of the book is accurate. The same is true of the several points introduced, of the bay, of the river, of the mountains, and of all the other accessories of the place.

The legend is purely fiction, no authority existing for any of its facts, characters, or other peculiarities, beyond that which was thought necessary to secure the semblance of reality

CHAPTER I

“There is a pleasure in the pathless woods,

There is a rapture on the lonely shore.

There is society where none intrudes,

By the deep sea, and music in its roar;

I love not man the less, but nature more,

From these our interviews, in which I steal

From all I may be, or have been before,

To mingle with the universe, and feel

What I can ne’er express, yet cannot all conceal.”

Childe Harold

ON THE HUMAN IMAGINATION events produce the effects of time. Thus, he who has traveled far and seen much is apt to fancy that he has lived long and the history that most abounds in important incidents soonest assumes the aspect of antiquity. In no other way can we account for the venerable air that is already gathering around American annals. When the mind reverts to the earliest days of colonial history, the period