The Deerslayer (Barnes & Noble Classics) - James Fenimore Cooper [46]
“There the old fellow is!” whispered Hurry, pointing with a finger, and laughing heartily, though he carefully avoided making a noise, “ratting it away, just as I supposed; up to his knees in the mud and water, looking to the traps and the bait. But for the life of me I can see nothing of the ark; though I’ll bet every skin I take this season, Jude isn’t trusting her pretty little feet in the neighborhood of that black mud. The gal’s more likely to be braiding her hair by the side of some spring, where she can see her own good looks, and collect scornful feelings ag’in us men.”
“You over-judge young women—yes, you do, Hurry—who as often bethink them of their failings as they do of their perfections. I dare to say this Judith, now, is no such admirer of herself, and no such scorner of our sex as you seem to think; and that she is quite as likely to be sarving her father in the house, wherever that may be, as he is to be sarving her among the traps.”
“It’s a pleasure to hear truth from a man’s tongue, if it be only once in a girl’s life,” cried a pleasant, rich, and yet soft female voice, so near the canoe as to make both the listeners start. “As for you, Master Hurry, fair words are so apt to choke you, that I no longer expect to hear them from your mouth; the last you uttered sticking in your throat, and coming near to death. But I’m glad to see you keep better society than formerly, and that they who know how to esteem and treat women are not ashamed to journey in your company”
As this was said, a singularly handsome and youthful female face was thrust through an opening in the leaves, within reach of Deerslayer’s paddle. Its owner smiled graciously on the young man; and the frown that she cast on Hurry, though simulated and pettish, had the ef fect to render her beauty more striking, by exhibiting the play of an expressive but capricious countenance; one that seemed to change from the soft to the severe, the mirthful to the reproving, with facility and indifference.
A second look explained the nature of the surprise. Unwittingly, the men had dropped alongside of the ark, which had been purposely concealed in bushes cut and arranged for the purpose; and Judith Hutter had merely pushed aside the leaves that lay before a window, in order to show her face, and speak to them.
CHAPTER IV
“And that timid fawn starts not with fear,
When I steal to her secret bower;
And that young May violet to me is dear,
And I visit the silent streamlet near,
To look on the lovely flower.”
Bryant
THE ARK, AS THE floating habitation of the Hutters was generally called, was a very simple contrivance. A large flat, or scow, composed the buoyant part of the vessel; and in its center, occupying the whole of its breadth, and about two thirds of its length, stood a low fabric, resembling the castle in construction, though made of materials so light as barely to be bulletproof. As the sides of the scow were a little higher than usual, and the interior of the cabin had no more elevation than was necessary for comfort, this unusual addition had neither a very clumsy nor a very obtrusive appearance. It was, in short, little more than a modern canal boat, though more rudely constructed, of greater breadth than common, and bearing about it the signs of the wilderness, in its bark-covered posts and roof. The scow, however, had been put together with some skill, being comparatively light, for its strength, and sufficiently manageable. The cabin was divided into two apartments, one of which served for a parlor, and the sleeping room of the father, and the other was appropriated to the uses of the daughters. A very simple arrangement sufficed for the kitchen, which was in one end of the scow, and removed from the cabin, standing in the open air; the ark being altogether a