The Devil's Feather - Minette Walters [62]
Dan had stood by me—in so far as he took the criticism on the chin and kept it to himself that he’d tried to stop me—but he made no secret of his suspicions now. “Why did you need to wash those clothes, anyway?”
“They were dirty.”
But we both knew they weren’t. They hadn’t even smelt dirty, which was why I’d washed them. I’d toyed with saying I’d been given an orange jumpsuit, similar to the one Adelina wore on her video, but I was afraid of provoking further questions. Why were there no orange fibres on my skin or in my hair? Why bother to dress me as a prisoner if no video was made? It was less traumatic to be accused of destroying evidence than admit to wearing nothing.
I wondered if Dan had guessed the truth because he didn’t pursue the issue. Instead, he told me what he planned to say when he announced my release to the press corps in Baghdad. There was heavy emphasis on my cooperation with the police, my refusal to say too much for fear of jeopardizing Adelina’s chances, and my undoubted “courage and professionalism.” It was a clear instruction to stay “on message” in London so that Reuters in Baghdad wasn’t ambushed out of left field.
I sent surreptitious glances towards the clock on the far wall, ticking off the seconds before I could reasonably head for the departure gate. The only luggage I had was a fabric bumbag (borrowed from Dan) which held my ticket stub, boarding-pass and emergency passport (paid for by Reuters), and £25 in precious English fivers from the Baghdad bureau coffers.
“Are you listening to me, Connie?”
I gave another nod. But as I had no intention of performing for the press, it was irrelevant whether I listened or not. If I failed to appear, the only source of information would be Dan’s press conference and, with no photographs, the coverage would be limited to a box somewhere. There might be speculation about why and where I’d gone into hiding, but it wouldn’t amount to much. Stories without legs and pictures died on the editor’s floor.
I’d made the decision to bolt when I phoned my parents from Dan’s apartment to tell them I was safe. My mother answered in Swahili. Literally. As a child, she’d learnt the language from Adia, her Kenyan nanny, and had passed on what she remembered to me. She spoke before I could say anything. “Jambo. Si tayari kuzungumza na mtu mie.” Hello. I can’t talk to anyone at the moment.
It was a device we’d used when things became difficult at the farm. My father was convinced there were physical and wire-tap eavesdroppers. Swahili isn’t commonly understood in Zimbabwe, where English is the official language and Shona and Ndebele the native ones. In this case, I guessed my mother was expecting a call from my father, and was warning him there was somone in the room with her.
I answered: “Jambo, mamangu. Mambo poa na mimi. Sema polepole!” Hello, my mother. Everything’s fine with me. Be careful what you say!
There was a brief pause. “Bwana asifiwe. Nakupenda, mtoto wangu.” Thank God. I love you, my child. There was a catch of emotion in her voice which she quelled immediately. “Sema fi kimombo.” You can speak in English.
In the weeks after my release, that was the closest I came to breaking down. Had she been in the room, I would have become her “mtoto” again, stolen into her warm embrace and told her everything. By the time I saw her in London, that opportunity was gone. I took a breath. “Who’s with you?”
“Msimulizi.” A newspaper reporter.
“Oh, Christ! Don’t let on it’s me!” I could hear the tremors in my voice. “No one knows I’ve been released yet…except Dan…I’m in his flat. I need time to…Do you understand?”
“Ni sawasawa.” It’s OK. She sounded so reassuring