The Devil's Playground_ A Century of Pleasure and Profit in Times Square - James Traub [165]
CHAPTER TWO
W. G. Rogers and Mildred Weston, Carnival Crossroads: The Story of Times Square (Garden City, N.Y.: Doubleday, 1960); Mary C. Henderson, The City and the Theatre (Clifton, N.J.: James T. White, 1973); E. Ideall Zeisloft, ed., The New Metropolis (New York: Appleton, 1899); Edwin G. Burrows and Mike Wallace, Gotham: A History of New York City to 1898 (New York: Oxford University Press, 1999); Clifton Hood, 722 Miles: The Building of the Subways and How They Transformed New York (Baltimore: Johns Hopkins University Press, 1993); Gay Talese, The Kingdom and the Power (New York: World, 1969); Joe Laurie, Jr., Vaudeville: From the Honky-tonks to the Palace (New York: Henry Holt, 1953); Abel Green and Joe Laurie, Show Biz: From Vaude to Video (New York: Henry Holt, 1951); Everybody Magazine, October 1903; Mary C. Henderson, The New Amsterdam: The Biography of a Broadway Theatre (New York: Hyperion, 1997); Brooks Atkinson, Broadway (New York: Macmillan, 1974); Theatre Magazine, January 1909; Robert W. Snyder, The Voice of the City: Vaudeville and Popular Culture in New York City (New York: Oxford University Press, 1989); Peter A. Davis, “The Syndicate/Shubert War,” in William R. Taylor, ed., Inventing Times Square: Commerce and Culture at the Crossroads of the World (Baltimore: Johns Hopkins University Press, 1991); George Rector, The Girl from Rector’s (Garden City, N.Y.: Doubleday, Page, 1927); Parker Morrell, Diamond Jim: The Life and Times of James Buchanan Brady (New York: Simon & Schuster, 1934); New York Plaisance: An Illustrated Series of New York Places of Amusement, No. 1 (Henry Erkins, 1909); Lewis A. Erenburg, Steppin’ Out: New York Nightlife and the Transformation of American Culture, 1890–1930 (Chicago: University of Chicago Press, 1981).
CHAPTER THREE
Timothy J. Gilfoyle, “Policing of Sexuality,” in William R. Taylor, ed., Inventing Times Square: Commerce and Culture at the Crossroads of the World (Baltimore: Johns Hopkins University Press, 1991); Ethan Mordden, The American Theatre (New York: Oxford University Press, 1981); Charles Higham, Ziegfeld (Chicago: Henry Regnery, 1972); Ziegfeld Clip File, New York Public Library; Robinson Locke Dramatic Collection, New York Public Library; P. G. Wodehouse and Guy Bolton, Bring on the Girls: The Improbable Story of Our Life in Musical Comedy, with Pictures to Prove It (New York: Simon & Schuster, 1953); Ethan Mordden, Broadway Babies: The People Who Made the American Musical (New York: Oxford University Press, 1983); The Smart Set, August 1926; Playbill Collection, Seymour Durst Old York Library; Gilbert Seldes, The Seven Lively Arts (New York: Sagamore Press, 1957); Marjorie Farnsworth, The Ziegfeld Follies (London: Davies, 1956); Julius Keller, Inns and Outs (New York: G. P. Putnam’s Sons, 1939); Lewis A. Erenburg, Steppin’ Out: New York Nightlife and the Transformation of American Culture, 1890–1930 (Chicago: University of Chicago Press, 1981); Rupert Hughes, What Will People Say? (New York: Harper & Bros., 1914); Philip Furia, Irving Berlin: A Life in Song (New York: Schirmer Books, 1998); Julian Street, Welcome to Our City (New York: John Lane Company, 1912); George Bronson-Howard, Birds of Prey: Being Pages from the Book of Broadway (New York, W. J. Watt, 1918).
CHAPTER FOUR
Theodore Dreiser, Sister Carrie (New York: Signet Classics, 2000); David Nye, Electrifying America: Social Meanings of a New Technology, 1880–1940 (Cambridge, Mass.: MIT Press, 1990); Tama Starr and Edward Hayman, Signs and Wonders: The Spectacular Marketing of America (New York: Currency Books, 1998); Signs of the Times, 1907–; O. J. Gude Clip File, in Artkraft Strauss archives; Rupert Hughes, What Will People Say? (New York: Harper & Bros., 1914); Bayrd Still, Mirror for Gotham: New York as Seen by Contemporaries from Dutch Days to the Present (New York: New York University Press, 1956); Gregory F. Gilmartin, Shaping