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West Forty-second Street Between Seventh and Eighth Avenues in New York City,” unpublished Ph.D. diss., City University of New York, 1982; Brooks Atkinson, Broadway (New York: Macmillan, 1974); Ethan Mordden, The American Theatre (New York: Oxford University Press, 1981); Clifford Odets, Awake and Sing (New York: working MS in New York Public Library); Thornton Wilder, Our Town (New York: Perennial Classics, 1998); Raymond Sokolov, Wayward Reporter: The Life of A. J. Liebling (New York: Harper & Row, 1980); Thomas Kunkel, Genius in Disguise: Harold Ross of the New Yorker (New York: Random House, 1995); A. J. Liebling, Back Where I Came From (San Francisco: North Point Press, 1990); A. J. Liebling, The Telephone Booth Indian (San Francisco: North Point Press, 1990); William R. Taylor, “Broadway: The Place That Words Built,” in William R. Taylor, ed., Inventing Times Square: Commerce and Culture at the Crossroads of the World (Baltimore: Johns Hopkins University Press, 1991); Joseph Mitchell, My Ears Are Bent (New York: Pantheon, 2001); Joseph Mitchell, Up in the Old Hotel (New York: Pantheon, 1992).

CHAPTER EIGHT

The New York Times; Alfred Eisenstaedt, Remembrances (Boston: Bullfinch Press, 1990); Jan Morris, Manhattan ’45 (New York: Oxford University Press, 1987); Jack Kerouac, The Town and the City (New York: Harcourt, 1950); W. G. Rogers and Mildred Weston, Carnival Crossroads: The Story of Times Square (Garden City, N.Y.: Doubleday, 1960); Brooks Atkinson, Broadway (New York: Macmillan, 1974); Paramount Clip File, New York Public Library; Gary Giddins, Bing Crosby: A Pocketful of Dreams. The Early Years, 1903–1940 (Boston: Little, Brown, 2001); Theatre History Society, Annual No. 6: Times Square Paramount Theatre; Arnold Shaw, “Sinatrauma: The Proclamation of a New Era,” Bruce Bliven, “The Voice and the Kids,” and E. J. Kahn, Jr., “The Fave, the Fans and the Fiends,” in Steven Petkov and Leonard Mustazza, ed., The Frank Sinatra Reader (New York: Oxford University Press, 1995); James Gavin, Intimate Nights: The Golden Age of New York Cabaret (New York: Grove Weidenfeld, 1991); Helen Bloom, Broadway: An Encyclopedia Guide to the History, People and Places of Times Square (New York: Facts on File, 1991); Rivoli Theatre Clip File, New York Public Library; Cleopatra Clip File, New York Public Library; Brigadoon videorecording; South Pacific videorecording; Kiss Me, Kate videorecording; Oklahoma! videorecording; Annie Get Your Gun videorecording; Ethan Mordden, Broadway Babies: The People Who Made the American Musical (New York: Oxford University Press, 1983); Philip Furia, Irving Berlin: A Life in Song (New York: Schirmer Books, 1998); Douglas Leigh Clip File in holdings of Artkraft Strauss; Tama Starr and Edward Hayman, Signs and Wonders: The Spectacular Marketing of America (New York: Currency Books, 1998).

CHAPTER NINE

John Clellon Holmes, Go (New York: Scribners, 1952); Steven Watson, The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944–1960 (New York: Pantheon, 1995); Matt Theado, ed., The Beats: A Literary Reference (New York: Carroll & Graf, 2001); Barry Miles, Ginsberg: A Biography (London: Virgin Publishing, 2000); Jack Kerouac, The Town and the City (New York: Harcourt, 1950); William S. Burroughs, Junky (New York: Penguin, 1977); The New York Times; Timothy F. Gilfoyle, “Policing of Sexuality,” in William R. Taylor, ed., Inventing Times Square: Commerce and Culture at the Crossroads of the World (Baltimore: Johns Hopkins University Press, 1991); John Rechy, City of Night (New York: Grove Press, 1963); James Leo Herlihy, Midnight Cowboy (New York: Simon & Schuster, 1965); Jay Gertzman, “Street-Level Smut,” in The Position 5/26/2003; Josh Alan Friedman, Tales of Times Square (Portland, Ore.: Feral House, 1993); James Lardner and Thomas Reppetto, NYPD: A City and Its Police (New York: Henry Holt, 2000); Daniel Patrick Moynihan, Family and Nation (New York: Harcourt Brace Jovanovich, 1986); Fred Siegel, The Future Once Happened Here (New York: Free Press, 1997); Taxi Driver, videorecording;