The Dew Breaker - Edwidge Danticat [14]
“Just a little water,” she said. “Cold.”
He didn’t want to leave her alone while he went to the kitchen. He would have called through the walls for one of the men to get some water, if only they were not doing such a good job of hiding behind the closed doors of their rooms to give him some previously requested privacy.
When he came back with the glass, she examined it, as if for dirt, and then gulped the water down. It was as though she hadn’t drunk anything since the morning he had gotten on the plane and left her behind.
“Do you want more?” he asked.
She shook her head no.
It’s too bad, he thought, that in Creole the word for love, renmen, is also the word for like, so that as he told her he loved her, he had to embellish it with phrases that illustrated the degree of that love. He loved her more than there were seconds in the seven years that they’d been apart, he babbled. He loved her more than the size of the ocean she’d just crossed. To keep himself from saying more insipid things, he jumped on top of her and pinned her down on the bed. She was not as timid as she had been on their wedding night. She tugged at his black tie so fiercely that he was sure his neck was bruised. He yanked a few buttons off her dress and threw them aside as she unbuttoned his starched and ironed white shirt, and though in the rehearsals in past daydreams he had gently placed a cupped hand over her mouth, he didn’t think to do it now. He didn’t care that the other men could hear them.
He was exhausted when she grabbed the top sheet from the bed, wrapped it around her, and announced she was going to the bathroom.
“Let me take you,” he said.
“Non, non,” she said. “I can find it.”
He couldn’t stand to watch her turn away and disappear.
He heard voices in the kitchen, her talking to the men, introducing herself. He bolted right up from the bed when he remembered that all she had on was the sheet. As he raced to the door, he collided with her coming back.
There were two men playing dominoes in the kitchen, she told him, dressed in identical pink satin robes.
He left early for work the next day, along with the other men, but not before handing her a set of keys and instructing her not to let anyone in. He showed her how to work the stove and how to find all the Haitian stations on the AM/FM dial of his night-table radio. She slept late, reliving the night, their laughter after she’d seen the men, who, he explained, had hurried to buy those robes for her benefit. They had made love again and again, forcing themselves to do so more quietly each time. Seven times, by his count— once for each year they’d been apart—but fewer by hers. He had assured her that there was no need to be embarrassed. They were married, before God and a priest. This was crucial for her to remember. That’s why he had seen to it on the night before he left. So that something more judicial and committing than a mere promise would bind them. So that even if their union became a victim of distance and time, it couldn’t be easily dissolved. They would have to sign papers to come apart, write letters, speak on the phone about it. He told her that he didn’t want to leave her again, not for one second. But he had asked for the day off and his boss had refused. At least they would have the weekends, Saturdays and Sundays, to do with as they wished, to go dancing, sight-seeing, shopping, and apartment hunting. Wouldn’t she like to have her own apartment? To make love as much as they wanted and not worry that some men in women’s robes had heard them?
At noon, the phone rang. It was him. He asked her what she was doing. She lied and told him she was cooking, making herself something to eat. He asked what. She said eggs, guessing that there must be eggs in the refrigerator. He asked if she was bored. She said no. She was going to listen to the radio and write letters home.
When she hung up, she turned on the radio. She scrolled between the stations he had pointed out to her and was glad to hear people speaking Creole. There was music playing too, konpa, by