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The Diary of Samuel Pepys [160]

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offered to take oddes against the King's best boates: but the King would not lay, but cried him down with words only. Gresham College he mightily laughed at, for spending time only in weighing of ayre, and doing nothing else since they sat. Mr. Pierce tells me how the King, coming the other day to his Theatre to see "The Indian Queene," (which he commends for a very fine thing,) my Lady Castlemaine was in the next box before he come; and leaning over other ladies awhile to whisper with the King, she rose out of the box and went into the King's, and set herself on the King's right hand, between the King and the Duke of York: which, he swears, put the King himself, as well as every body else, out of countenance; and believes that she did it only to show the world that she is not out of favour yet, as was believed. To the King's Theatre, and there saw "The Indian Queen" acted; which indeed is a most pleasant show, and beyond my expectation; the play good, but spoiled with the ryme, which breaks the sense. But above my expectation most, the eldest Marshall [Anne Marshall, a celebrated actress, and her youngest sister Becke, so frequently mentioned in the Diary, were, I believe, the daughters of a Presbyterian Minister; but very little seems to be known about their history. One of them is erroneously stated, in the notes to the Memoires de Grammont, and Davies' Dramatic Miscellanies, to have become Lord Oxford's mistress; for Mr. Pepys uniformly calls the Marshalls by their proper name, and only speaks of the other lady as "the first or old Roxalana, who had quitted the stage."--VIDE Feb. 18, 1661-2, and Dec. 27, in the same year.] did do her part most excellently well as I ever heard woman in my life; but her voice is not so sweet as Ianthe's: [Malone says, in his HISTORY OF THE ENGLISH STAGE, that Mrs. Mary Saunderson performed Ianthe in Davenant's play of the Siege of Rhodes, at the first opening of his theatre, April 1662. She married Betterton the following year, and lived till 1712, having filled almost all the female characters in Shakespeare with great success. It is probable, therefore, that she was the person alluded to here, and frequently mentioned afterwards, without any more particular designation.] but, however, we come home mightily contented. Here we met Mr. Pickering; and he tells me that the business runs high between the Chancellor and my Lord Bristoll against the Parliament; and that my Lord Lauderdale and Cooper open high against the Chancellor; which I am sorry for.

3rd. In Covent Garden to-night, going to fetch my wife, I stopped at the great Coffee-house there, where I never was before: where Dryden the poet (I knew at Cambridge), and all the wits of the town, and Harris the player, and Mr. Hoole of our College. And had I had time then, or could at other times, it will be good coming thither, for there, I perceive, is very witty and pleasant discourse. But I could not tarry, and as it was late, they were all ready to go away.

4th. To St. Paul's School, and up to hear the upper form examined; and there was kept by very many of the Mercers, Clutterbucke, [Probably Alderman Clutterbuck, one of the proposed Knights of the Royal Oak for Middlesex. There was a Sir Thomas Clutterbuck of London, CIRCITER 1670.] Barker, Harrington, and others; and with great respect used by them all, and had a noble dinner. Here they tell me, that in Dr. Colett's [Dean of St. Paul's, and founder of the School.] will he says that he would have a Master found for the School that hath good skill in Latin, and (if it could be) one that had some knowledge of the Greeke; so little was Greeke known here at that time. Dr. Wilkins [John Wilkins, warden of Wadham College, and afterwards Dean of Rippon, consecrated Bishop of Chester 1668; Ob. 1672. He was a learned theologian, and well versed in Mathematics and Natural, Philosophy.] and one Mr. Smallwood, Posers.

8th. Mr. Pierce told me how the King still do doat upon his women, even beyond all shame: and that the good Queene will of herself stop before
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