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The Dragon's Doom - Ed Greenwood [128]

By Root 1900 0
here, she thought. No one seems near. 'Tis very dark.

"Your armor," a thin, cold voice erupted from the steel curving over her breast, startling Maelra for one shivering moment, "allows you to see where there's no light. Concentrate on remembered brightness-sunlight or fire or lamp glow."

Maelra did so, and the gloom seemed to roll back before her eyes, though her surroundings grew no brighter. She could now see that she stood in a stone-lined alcove off a passage, only paces from a round, waist-high wall that was probably a well-or had once been, for it was now cracked, and no odor of water or cool breeze came to her.

I can see, she announced silently. There's a well.

"Good," the Spellmaster's voice said, almost smugly. "Go out into the passage and turn left. The passage will turn right shortly. Follow it, around its next bend-to the left, soon after the first. Stop and tell me when you reach the third bend."

I proceed, Maelra reported calmly, and did as directed, hearing only the faint scrape of her boots on the dusty stones. The cellars seemed deserted and lifeless, but when she reached that third bend, and saw a door in the wall to her right and the passage turning away from it to her left, there was a high, faint singing in the air. She stepped back from the bend, and it faded, but returned as she advanced again. She reported this, and Ingryl's reply sounded approving.

"That's a ward. You must be very careful. The Serpent himself prowled the cellars since my departure, undoing some spells and drinking others. Most will have returned, over time, for I doubt he took the time or trouble to break them properly. Therefore, much remains that can slay or entrap you if you fail to heed my instructions precisely. Do you understand?"

Oh, yes, Maelra thought, and if he felt the faint sarcasm that seeped into that sending, Ambelter gave no sign of it.

"Don't step forward. Kneel where you are, and pass either bracer you wear over all the flagstones around you, one stone at a time-close to the stones, but taking care not to touch them. Note which ones glow, and what symbols appear on them."

Maelra did so, and reported back what she found. The Spellmaster's voice, when it came again, sounded irritated. "Someone has wrought changes. Step forward only onto the flagstone that did not glow. Then explore the stones around it with your bracers again."

Again Maelra did as she was bid. This time, two stones-also to the right-failed to glow, and Ambelter directed her to them. Repeating this process once more brought her to the threshold of the closed, unmarked stone door.

"Undo the neck-strap of your breastplate, and let it fall forward into your hand. Let it touch no stone, nor fall to the floor." When Maelra did so, finding the air very cool on her skin-a surprising amount of sweat had built up under the metal-a glowing line of light slowly appeared on it, curving as she watched into the shape of something that resembled a triple fishhook. "You see the rune?"

Yes, Spellmaster, Maelra replied, managing to keep the tremble of rising excitement out of her mind-voice, if not completely out of her hands. The breastplate shook in her grasp.

"Good. Hold the plate with your right hand so it doesn't touch the door, and use one finger-it matters not which, but only one-of your left hand to trace that rune on the door. Touch the door only as part of the rune-tracing, and pull your hand back when you're done. The door will glow where you touch it."

It did, and when Maelra completed the rune, the singing in the air around her abruptly ceased. Then, with no more sound than a whisper, the door opened by itself, gliding inward.

"Don't step into the room yet," the Spellmaster said sharply. "Touch the doorframe and say this word: 'Narathma.'"

Maelra did so. The stone doorframe briefly awakened to a cold blue glow, and then faded into darkness again. She tried to use that light to peer into the room beyond, but gained only the impression of a fairly small chamber with a stone ceiling about the same height as the one above her in the passage.

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