The drawing of the three - Stephen King [105]
“It’s not the same.”
“Why? Because you’re this intelligent socially active black lady with no legs and I’m just a hype from Co-Op City?” He said it with a grin, meaning it as an amiable jape, but she flared at him.
“I wish you would stop calling me black!”
He sighed. “Okay, but it’s gonna take getting used to.”
“You should have been on the debate club anyway.”
“Fuck,” he said, and the turn of her eyes made him realize again that the difference between them was much wider than color; they were speaking to each other from separate islands. The water between was time. Never mind. The word had gotten her attention. “I don’t want to debate you. I want to wake you up to the fact that you are awake, that’s all.”
“I might be able to at least operate provisionally according to the dictates of your third alternative as long as this . . . this situation . . . continued to go on, except for one thing: There’s a fundamental difference between what happened to you and what happened to me. So fundamental, so large, that you haven’t seen it.”
“Then show it to me.”
“There is no discontinuity in your consciousness. There is a very large one in mine.”
“I don’t understand.”
“I mean you can account for all of your time,” Odetta said. “Your story follows from point to point: the airplane, the incursion by that . . . that . . . by him—”
She nodded toward the foothills with clear distaste.
“The stashing of the drugs, the officers who took you into custody, all the rest. It’s a fantastic story, it has no missing links.
“As for myself, I arrived back from Oxford, was met by Andrew, my driver, and brought back to my building. I bathed and I wanted sleep—I was getting a very bad headache, and sleep is the only medicine that’s any good for the really bad ones. But it was close on midnight, and I thought I would watch the news first. Some of us had been released, but a good many more were still in the jug when we left. I wanted to find out if their cases had been resolved.
“I dried off and put on my robe and went into the living room. I turned on the TV news. The newscaster started talking about a speech Krushchev had just made about the American advisors in Viet Nam. He said, ‘We have a film report from—’ and then he was gone and I was rolling down this beach. You say you saw me in some sort of magic doorway which is now gone, and that I was in Macy’s, and that I was stealing. All of this is preposterous enough, but even if it was so, I could find something better to steal than costume jewelry. I don’t wear jewelry.”
“You better look at your hands again, Odetta,” Eddie said quietly.
For a very long time she looked from the “diamond” on her left pinky, too large and vulgar to be anything but paste, to the large opal on the third finger of her right hand, which was too large and vulgar to be anything but real.
“None of this is happening,” she repeated firmly.
“You sound like a broken record!” He was genuinely angry for the first time. “Every time someone pokes a hole in your neat little story, you just retreat to that ‘none of this is happening’ shit. You have to wise up, ’Detta.”
“Don’t call me that! I hate that!” she burst out so shrilly that Eddie recoiled.
“Sorry. Jesus! I didn’t know.”
“I went from night to day, from undressed to dressed, from my living room to this deserted beach. And what really happened was that some big-bellied redneck deputy hit me upside the head with a club and that is all!”
“But your memories don’t stop in Oxford,” he said softly.
“W-What?” Uncertain again. Or maybe seeing and not wanting to. Like with the rings.
“If you got whacked in Oxford, how come your memories don’t stop there?”