The drawing of the three - Stephen King [54]
“He’ll be here pretty soon,” Tricks soothed him. “Just play the game.”
“How about a fix?”
“Play the game, Henry.”
“Okay, okay, stop leaning on me.”
“Don’t lean on him,” Kevin Blake said to Jimmy.
“Okay, I won’t,” Jimmy said.
“You ready?” George Biondi said, and gave the others an enormous wink as Henry’s chin floated down to his breastbone and then slowly rose once more—it was like watching a soaked log not quite ready to give in and sink for good.
“Yeah,” Henry said. “Bring it on.”
“Bring it on!” Jimmy Haspio cried happily.
“You bring that fucker!” Tricks agreed, and they all roared with laughter (in the other room Balazar’s edifice, now three levels high, trembled again, but did not fall).
“Okay, listen close,” George said, and winked again. Although Henry was on a Sports category, George announced the category was Arts and Entertainment. “What popular country and western singer had hits with ‘A Boy Named Sue,’ ‘Folsom Prison Blues,’ and numerous other shitkicking songs?”
Kevin Blake, who actually could add seven and nine (if you gave him poker chips to do it with), howled with laughter, clutching his knees and nearly upsetting the board.
Still pretending to scan the card in his hand, George continued: “This popular singer is also known as The Man in Black. His first name means the same as a place you go to take a piss and his last name means what you got in your wallet unless you’re a fucking needle freak.”
There was a long expectant silence.
“Walter Brennan,” Henry said at last.
Bellows of laughter. Jimmy Haspio clutched Kevin Blake. Kevin punched Jimmy in the shoulder repeatedly. In Balazar’s office, the house of cards which was now becoming a tower of cards trembled again.
“Quiet down!” ’Cimi yelled. “Da Boss is buildin!”
They quieted at once.
“Right,” George said. “You got that one right, Henry. It was a toughie, but you came through.”
“Always do,” Henry said. “Always come through in the fuckin clutch. How about a fix?”
“Good idea!” George said, and took a Roi-Tan cigar box from behind him. From it he produced a hypo. He stuck it into the scarred vein above Henry’s elbow, and Henry’s last rocket took off.
2
The pizza van’s exterior was grungy, but underneath the road-filth and spray-paint was a high-tech marvel the DEA guys would have envied. As Balazar had said on more than one occasion, you couldn’t beat the bastards unless you could compete with the bastards—unless you could match their equipment. It was expensive stuff, but Balazar’s side had an advantage: they stole what the DEA had to buy at grossly inflated prices. There were electronics company employees all the way down the Eastern Seaboard willing to sell you top secret stuff at bargain basement prices. These catzzaroni (Jack Andolini called them Silicon Valley Coke-Heads) practically threw the stuff at you.
Under the dash was a fuzz-buster; a UHF police radar jammer; a high-range/high-frequency radio transmissions detector; an h-r/hf jammer; a transponder-amplifier that would make anyone trying to track the van by standard triangulation methods decide it was simultaneously in Connecticut, Harlem, and Montauk Sound; a radiotelephone . . . and a small red button which Andolini pushed as soon as Eddie Dean got out of the van.
In Balazar’s office the intercom uttered a single short buzz.
“That’s them,” he said. “Claudio, let them in. ’Cimi, you tell everyone to dummy up. So far as Eddie Dean knows, no one’s with me but you and Claudio. ’Cimi, go in the storeroom with the other gentlemen.”
They went, ’Cimi turning left, Claudio Andolini going right.
Calmly, Balazar started on another level of his edifice.
3
Just let me handle it, Eddie said again as Claudio opened the door.
Yes, the gunslinger said, but remained alert, ready to come forward the instant it seemed necessary.
Keys rattled. The gunslinger was very aware of odors—old sweat from Col Vincent on his right, some sharp, almost acerbic aftershave from Jack Andolini on his left, and, as they stepped into the dimness,