The Duchesse de Langeais [13]
in the Faubourg, but they are marked exceptions to a general rule of egoism which has been the ruin of this world within a world. The privileges above enumerated are the birthright of the French noblesse, as of every patrician efflorescence ever formed on the surface of a nation; and will continue to be theirs so long as their existence is based upon real estate, or money; domaine-sol and domaine-argent alike, the only solid bases of an organised society; but such privileges are held upon the understanding that the patricians must continue to justify their existence. There is a sort of moral fief held on a tenure of service rendered to the sovereign, and here in France the people are undoubtedly the sovereigns nowadays. The times are changed, and so are the weapons. The knight-banneret of old wore a coat of chain armour and a hauberk,; he could handle a lance well and display his pennon, and no more was required of him; today he is bound to give proof of his intelligence. A stout heart was enough in the days of old; in our days he is required to have a capacious brain-pan. Skill and knowledge and capital--these three points mark out a social triangle on which the scutcheon of power is blazoned; our modern aristocracy must take its stand on these.
A fine theorem is as good as a great name. The Rothschilds, the Fuggers of the nineteenth century, are princes de facto. A great artist is in reality an oligarch; he represents a whole century, and almost always he is a law to others. And the art of words, the high pressure machinery of the writer, the poet's genius, the merchant's steady endurance, the strong will of the statesman who concentrates a thousand dazzling qualities in himself, the general's sword--all these victories, in short, which a single individual will win, that he may tower above the rest of the world, the patrician class is now bound to win and keep exclusively. They must head the new forces as they once headed the material forces; how should they keep the position unless they are worthy of it? How, unless they are the soul and brain of a nation, shall they set its hands moving? How lead a people without the power of command? And what is the marshal's baton without the innate power of the captain in the man who wields it?
The Faubourg Saint-Germain took to playing with batons, and fancied that all the power was in its hands. It inverted the terms of the proposition which called it into existence. And instead of flinging away the insignia which offended the people, and quietly grasping the power, it allowed the bourgeoisie to seize the authority, clung with fatal obstinacy to its shadow, and over and over again forgot the laws which a minority must observe if it would live. When an aristocracy is scarce a thousandth part of the body social, it is bound today, as of old, to multiply its points of action, so as to counterbalance the weight of the masses in a great crisis. And in our days those means of action must be living forces, and not historical memories.
In France, unluckily, the noblesse were still so puffed up with the notion of their vanished power, that it was difficult to contend against a kind of innate presumption in themselves. Perhaps this is a national defect. The Frenchman is less given than anyone else to undervalue himself; it comes natural to him to go from his degree to the one above it; and while it is a rare thing for him to pity the unfortunates over whose heads he rises, he always groans in spirit to see so many fortunate people above him. He is very far from heartless, but too often he prefers to listen to his intellect. The national instinct which brings the Frenchman to the front, the vanity that wastes his substance, is as much a dominant passion as thrift in the Dutch. For three centuries it swayed the noblesse, who, in this respect, were certainly pre-eminently French. The scion of the Faubourg Saint-Germain, beholding his material superiority, was fully persuaded of his intellectual superiority. And everything contributed to confirm him in his belief;
A fine theorem is as good as a great name. The Rothschilds, the Fuggers of the nineteenth century, are princes de facto. A great artist is in reality an oligarch; he represents a whole century, and almost always he is a law to others. And the art of words, the high pressure machinery of the writer, the poet's genius, the merchant's steady endurance, the strong will of the statesman who concentrates a thousand dazzling qualities in himself, the general's sword--all these victories, in short, which a single individual will win, that he may tower above the rest of the world, the patrician class is now bound to win and keep exclusively. They must head the new forces as they once headed the material forces; how should they keep the position unless they are worthy of it? How, unless they are the soul and brain of a nation, shall they set its hands moving? How lead a people without the power of command? And what is the marshal's baton without the innate power of the captain in the man who wields it?
The Faubourg Saint-Germain took to playing with batons, and fancied that all the power was in its hands. It inverted the terms of the proposition which called it into existence. And instead of flinging away the insignia which offended the people, and quietly grasping the power, it allowed the bourgeoisie to seize the authority, clung with fatal obstinacy to its shadow, and over and over again forgot the laws which a minority must observe if it would live. When an aristocracy is scarce a thousandth part of the body social, it is bound today, as of old, to multiply its points of action, so as to counterbalance the weight of the masses in a great crisis. And in our days those means of action must be living forces, and not historical memories.
In France, unluckily, the noblesse were still so puffed up with the notion of their vanished power, that it was difficult to contend against a kind of innate presumption in themselves. Perhaps this is a national defect. The Frenchman is less given than anyone else to undervalue himself; it comes natural to him to go from his degree to the one above it; and while it is a rare thing for him to pity the unfortunates over whose heads he rises, he always groans in spirit to see so many fortunate people above him. He is very far from heartless, but too often he prefers to listen to his intellect. The national instinct which brings the Frenchman to the front, the vanity that wastes his substance, is as much a dominant passion as thrift in the Dutch. For three centuries it swayed the noblesse, who, in this respect, were certainly pre-eminently French. The scion of the Faubourg Saint-Germain, beholding his material superiority, was fully persuaded of his intellectual superiority. And everything contributed to confirm him in his belief;