The Duchesse de Langeais [56]
the Duchess, like most women, was to pass. Passion she knew, but she did not love as yet.
Love and passion are two different conditions which poets and men of the world, philosophers and fools, alike continually confound.
Love implies a give and take, a certainty of bliss that nothing can change; it means so close a clinging of the heart, and an exchange of happiness so constant, that there is no room left for jealousy. Then possession is a means and not an end; unfaithfulness may give pain, but the bond is not less close; the soul is neither more nor less ardent or troubled, but happy at every moment; in short, the divine breath of desire spreading from end to end of the immensity of Time steeps it all for us in the selfsame hue; life takes the tint of the unclouded heaven. But Passion is the foreshadowing of Love, and of that Infinite to which all suffering souls aspire. Passion is a hope that may be cheated. Passion means both suffering and transition. Passion dies out when hope is dead. Men and women may pass through this experience many times without dishonour, for it is so natural to spring towards happiness; but there is only one love in a lifetime. All discussions of sentiment ever conducted on paper or by word of mouth may therefore be resumed by two questions--"Is it passion? Is it love?" So, since love comes into existence only through the intimate experience of the bliss which gives it lasting life, the Duchess was beneath the yoke of passion as yet; and as she knew the fierce tumult, the unconscious calculations, the fevered cravings, and all that is meant by that word PASSION--she suffered. Through all the trouble of her soul there rose eddying gusts of tempest, raised by vanity or self-love, or pride or a high spirit; for all these forms of egoism make common cause together.
She had said to this man, "I love you; I am yours!" Was it possible that the Duchesse de Langeais should have uttered those words--in vain? She must either be loved now or play her part of queen no longer. And then she felt the loneliness of the luxurious couch where pleasure had never yet set his glowing feet; and over and over again, while she tossed and writhed there, she said, "I want to be loved."
But the belief that she still had in herself gave her hope of success. The Duchess might be piqued, the vain Parisienne might be humiliated; but the woman saw glimpses of wedded happiness, and imagination, avenging the time lost for nature, took a delight in kindling the inextinguishable fire in her veins. She all but attained to the sensations of love; for amid her poignant doubt whether she was loved in return, she felt glad at heart to say to herself, "I love him!" As for her scruples, religion, and the world she could trample them under foot! Montriveau was her religion now. She spent the next day in a state of moral torpor, troubled by a physical unrest, which no words could express. She wrote letters and tore them all up, and invented a thousand impossible fancies.
When M. de Montriveau's usual hour arrived, she tried to think that he would come, and enjoyed the feeling of expectation. Her whole life was concentrated in the single sense of hearing. Sometimes she shut her eyes, straining her ears to listen through space, wishing that she could annihilate everything that lay between her and her lover, and so establish that perfect silence which sounds may traverse from afar. In her tense self-concentration, the ticking of the clock grew hateful to her; she stopped its ill-omened garrulity. The twelve strokes of midnight sounded from the drawing-room.
"Ah, God!" she cried, "to see him here would be happiness. And yet, it is not so very long since he came here, brought by desire, and the tones of his voice filled this boudoir. And now there is nothing."
She remembered the times that she had played the coquette with him, and how that her coquetry had cost her her lover, and the despairing tears flowed for long.
Her woman came at length with, "Mme la Duchesse does not know, perhaps, that
Love and passion are two different conditions which poets and men of the world, philosophers and fools, alike continually confound.
Love implies a give and take, a certainty of bliss that nothing can change; it means so close a clinging of the heart, and an exchange of happiness so constant, that there is no room left for jealousy. Then possession is a means and not an end; unfaithfulness may give pain, but the bond is not less close; the soul is neither more nor less ardent or troubled, but happy at every moment; in short, the divine breath of desire spreading from end to end of the immensity of Time steeps it all for us in the selfsame hue; life takes the tint of the unclouded heaven. But Passion is the foreshadowing of Love, and of that Infinite to which all suffering souls aspire. Passion is a hope that may be cheated. Passion means both suffering and transition. Passion dies out when hope is dead. Men and women may pass through this experience many times without dishonour, for it is so natural to spring towards happiness; but there is only one love in a lifetime. All discussions of sentiment ever conducted on paper or by word of mouth may therefore be resumed by two questions--"Is it passion? Is it love?" So, since love comes into existence only through the intimate experience of the bliss which gives it lasting life, the Duchess was beneath the yoke of passion as yet; and as she knew the fierce tumult, the unconscious calculations, the fevered cravings, and all that is meant by that word PASSION--she suffered. Through all the trouble of her soul there rose eddying gusts of tempest, raised by vanity or self-love, or pride or a high spirit; for all these forms of egoism make common cause together.
She had said to this man, "I love you; I am yours!" Was it possible that the Duchesse de Langeais should have uttered those words--in vain? She must either be loved now or play her part of queen no longer. And then she felt the loneliness of the luxurious couch where pleasure had never yet set his glowing feet; and over and over again, while she tossed and writhed there, she said, "I want to be loved."
But the belief that she still had in herself gave her hope of success. The Duchess might be piqued, the vain Parisienne might be humiliated; but the woman saw glimpses of wedded happiness, and imagination, avenging the time lost for nature, took a delight in kindling the inextinguishable fire in her veins. She all but attained to the sensations of love; for amid her poignant doubt whether she was loved in return, she felt glad at heart to say to herself, "I love him!" As for her scruples, religion, and the world she could trample them under foot! Montriveau was her religion now. She spent the next day in a state of moral torpor, troubled by a physical unrest, which no words could express. She wrote letters and tore them all up, and invented a thousand impossible fancies.
When M. de Montriveau's usual hour arrived, she tried to think that he would come, and enjoyed the feeling of expectation. Her whole life was concentrated in the single sense of hearing. Sometimes she shut her eyes, straining her ears to listen through space, wishing that she could annihilate everything that lay between her and her lover, and so establish that perfect silence which sounds may traverse from afar. In her tense self-concentration, the ticking of the clock grew hateful to her; she stopped its ill-omened garrulity. The twelve strokes of midnight sounded from the drawing-room.
"Ah, God!" she cried, "to see him here would be happiness. And yet, it is not so very long since he came here, brought by desire, and the tones of his voice filled this boudoir. And now there is nothing."
She remembered the times that she had played the coquette with him, and how that her coquetry had cost her her lover, and the despairing tears flowed for long.
Her woman came at length with, "Mme la Duchesse does not know, perhaps, that