The Duchesse de Langeais [60]
doubt."
"Very well, then," others replied, "Mme de Langeais has been guilty of a most generous piece of imprudence. To renounce the world and rank, and fortune, and consideration for her lover's sake, and that in the face of all Paris, is as fine a coup d'etat for a woman as that barber's knife-thrust, which so affected Canning in a court of assize. Not one of the women who blame the Duchess would make a declaration worthy of ancient times. It is heroic of Mme de Langeais to proclaim herself so frankly. Now there is nothing left to her but to love Montriveau. There must be something great about a woman if she says, `I will have but one passion.' "
"But what is to become of society, monsieur, if you honour vice in this way without respect for virtue?" asked the Comtesse de Granville, the attorney-general's wife.
While the Chateau, the Faubourg, and the Chaussee d'Antin were discussing the shipwreck of aristocratic virtue; while excited young men rushed about on horseback to make sure that the carriage was standing in the Rue de Tournon, and the Duchess in consequence was beyond a doubt in M. de Montriveau's rooms, Mme de Langeais, with heavy throbbing pulses, was lying hidden away in her boudoir. And Armand?--he had been out all night, and at that moment was walking with M. de Marsay in the Gardens of the Tuileries. The elder members, of Mme de Langeais's family were engaged in calling upon one another, arranging to read her a homily and to hold a consultation as to the best way of putting a stop to the scandal.
At three o'clock, therefore, M. le Duc de Navarreins, the Vidame de Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de Grandlieu were assembled in Mme la Duchesse de Langeais's drawing-room. To them, as to all curious enquirers, the servants said that their mistress was not at home; the Duchess had made no exceptions to her orders. But these four personages shone conspicuous in that lofty sphere, of which the revolutions and hereditary pretensions are solemnly recorded year by year in the Almanach de Gotha, wherefore without some slight sketch of each of them this picture of society were incomplete.
The Princesse de Blamont-Chauvry, in the feminine world, was a most poetic wreck of the reign of Louis Quinze. In her beautiful prime, so it was said, she had done her part to win for that monarch his appellation of le Bien-aime. Of her past charms of feature, little remained save a remarkably prominent slender nose, curved like a Turkish scimitar, now the principal ornament of a countenance that put you in mind of an old white glove. Add a few powdered curls, high-heeled pantoufles, a cap with upstanding loops of lace, black mittens, and a decided taste for ombre. But to do full justice to the lady, it must be said that she appeared in low-necked gowns of an evening (so high an opinion of her ruins had she), wore long gloves, and raddled her cheeks with Martin's classic rouge. An appalling amiability in her wrinkles, a prodigious brightness in the old lady's eyes, a profound dignity in her whole person, together with the triple barbed wit of her tongue, and an infallible memory in her head, made of her a real power in the land. The whole Cabinet des Chartes was entered in duplicate on the parchment of her brain. She knew all the genealogies of every noble house in Europe--princes, dukes, and counts--and could put her hand on the last descendants of Charlemagne in the direct line. No usurpation of title could escape the Princesse de Blamont-Chauvry.
Young men who wished to stand well at Court, ambitious men, and young married women paid her assiduous homage. Her salon set the tone of the Faubourg Saint-Germain. The words of this Talleyrand in petticoats were taken as final decrees. People came to consult her on questions of etiquette or usages, or to take lessons in good taste. And, in truth, no other old woman could put back her snuff-box in her pocket as the Princess could; while there was a precision and a grace about the movements of her skirts, when she sat down or
"Very well, then," others replied, "Mme de Langeais has been guilty of a most generous piece of imprudence. To renounce the world and rank, and fortune, and consideration for her lover's sake, and that in the face of all Paris, is as fine a coup d'etat for a woman as that barber's knife-thrust, which so affected Canning in a court of assize. Not one of the women who blame the Duchess would make a declaration worthy of ancient times. It is heroic of Mme de Langeais to proclaim herself so frankly. Now there is nothing left to her but to love Montriveau. There must be something great about a woman if she says, `I will have but one passion.' "
"But what is to become of society, monsieur, if you honour vice in this way without respect for virtue?" asked the Comtesse de Granville, the attorney-general's wife.
While the Chateau, the Faubourg, and the Chaussee d'Antin were discussing the shipwreck of aristocratic virtue; while excited young men rushed about on horseback to make sure that the carriage was standing in the Rue de Tournon, and the Duchess in consequence was beyond a doubt in M. de Montriveau's rooms, Mme de Langeais, with heavy throbbing pulses, was lying hidden away in her boudoir. And Armand?--he had been out all night, and at that moment was walking with M. de Marsay in the Gardens of the Tuileries. The elder members, of Mme de Langeais's family were engaged in calling upon one another, arranging to read her a homily and to hold a consultation as to the best way of putting a stop to the scandal.
At three o'clock, therefore, M. le Duc de Navarreins, the Vidame de Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de Grandlieu were assembled in Mme la Duchesse de Langeais's drawing-room. To them, as to all curious enquirers, the servants said that their mistress was not at home; the Duchess had made no exceptions to her orders. But these four personages shone conspicuous in that lofty sphere, of which the revolutions and hereditary pretensions are solemnly recorded year by year in the Almanach de Gotha, wherefore without some slight sketch of each of them this picture of society were incomplete.
The Princesse de Blamont-Chauvry, in the feminine world, was a most poetic wreck of the reign of Louis Quinze. In her beautiful prime, so it was said, she had done her part to win for that monarch his appellation of le Bien-aime. Of her past charms of feature, little remained save a remarkably prominent slender nose, curved like a Turkish scimitar, now the principal ornament of a countenance that put you in mind of an old white glove. Add a few powdered curls, high-heeled pantoufles, a cap with upstanding loops of lace, black mittens, and a decided taste for ombre. But to do full justice to the lady, it must be said that she appeared in low-necked gowns of an evening (so high an opinion of her ruins had she), wore long gloves, and raddled her cheeks with Martin's classic rouge. An appalling amiability in her wrinkles, a prodigious brightness in the old lady's eyes, a profound dignity in her whole person, together with the triple barbed wit of her tongue, and an infallible memory in her head, made of her a real power in the land. The whole Cabinet des Chartes was entered in duplicate on the parchment of her brain. She knew all the genealogies of every noble house in Europe--princes, dukes, and counts--and could put her hand on the last descendants of Charlemagne in the direct line. No usurpation of title could escape the Princesse de Blamont-Chauvry.
Young men who wished to stand well at Court, ambitious men, and young married women paid her assiduous homage. Her salon set the tone of the Faubourg Saint-Germain. The words of this Talleyrand in petticoats were taken as final decrees. People came to consult her on questions of etiquette or usages, or to take lessons in good taste. And, in truth, no other old woman could put back her snuff-box in her pocket as the Princess could; while there was a precision and a grace about the movements of her skirts, when she sat down or