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The Duke Is Mine - Eloisa James [0]

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The Duke Is Mine

Eloisa James

Dedication

This book is dedicated to my dear friend, the wonderful novelist Linda Francis Lee. In a moment of despair, when I realized that I had to throw away 175 pages of my version of The Princess and the Pea and begin again, Linda coaxed me through the grief and replotted my entire novel over two glasses of wine. You’re my Lucky Duck, Linda!

Contents

Dedication

Prologue

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-one

Twenty-two

Twenty-three

Twenty-four

Twenty-five

Twenty-six

Twenty-seven

Twenty-eight

Twenty-nine

Thirty

Thirty-one

Thirty-two

Thirty-three

Epilogue

Historical Note

Acknowledgments

Questions for Readers, for Book Clubs, for Roving Page-Turners

An Excerpt from The Ugly Duchess

About the Author

By Eloisa James

Copyright

About the Publisher

Prologue

Once upon a time, not so very long ago . . .

(or, to be exact, March 1812)

. . . there was a girl who was destined to be a princess. Though to be absolutely precise, there was no prince in the offing. But she was betrothed to a duke’s heir, and from the point of view of minor gentry, a coronet was as good as a crown.

This story begins with that girl, and continues through a stormy night, and a series of tests, and if there’s no pea in the tale, all I can say is that if you read on, you will encounter a surprise in that bed: a key, a flea—or perhaps a marquess, for that matter.

In fairy tales, the ability to perceive an obtrusion as tiny as a pea under the mattress is enough to prove that a strange girl who arrives on a stormy night is indeed a princess. In the real world, of course, it’s a bit more complicated. In order to prepare for the rank of duchess, Miss Olivia Mayfield Lytton had learned something from virtually every branch of human knowledge. She was prepared to dine with a king, or a fool, or Socrates himself, conversing on subjects as far-flung as Italian comic opera and the new spinning machines.

But, just as a single dried pea was all that was needed to determine the authenticity of the princess, one crucial fact determined Olivia’s eligibility for the rank of duchess: she was betrothed to the heir to the Canterwick dukedom.

Less important were the facts that when this tale begins Olivia was twenty-three and still unmarried, that her father had no title, and that she had never been given a compliment such as a diamond of the first water. Quite the opposite, in fact.

None of that mattered.

One

In Which We Are Introduced to a Future Duchess

41 Clarges Street, Mayfair

London

The residence of Mr. Lytton, Esq.

Most betrothals spring from one of two fierce emotions: greed or love. But Olivia Lytton’s was fueled neither by an exchange of assets between like-minded aristocrats, nor by a potent mixture of desire, propinquity, and Cupid’s arrows.

In fact, the bride-to-be was liable, in moments of despair, to attribute her engagement to a curse. “Perhaps our parents forgot to ask a powerful fairy to my christening,” she told her sister Georgiana on their way home from a ball given by the Earl of Micklethwait, at which Olivia had spent generous swaths of time with her betrothed. “The curse, it hardly needs to be said, is Rupert’s hand in marriage. I would rather sleep for a hundred years.”

“Sleeping has its attractions,” her sister agreed, descending from their parents’ carriage before the house. Georgiana did not pair the positive comment with its opposite: sleep had attractions . . . but Rupert had few.

Olivia actually had to swallow hard, and sit in the dark carriage by herself a moment, before she was able to pull herself together and follow her sister. She had always known that she would be Duchess of Canterwick someday, so it made no sense to feel so keenly miserable. But there it was. An evening spent with her future husband made her feel half cracked.

It didn’t help that most of London, her mother included, considered her the luckiest

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