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The Eastern Stars - Mark Kurlansky [66]

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star, either. But Astin Jacobo was a famous name—perhaps more famous in the Bronx, where he was born, than in San Pedro. His father, Astin Jacobo, Sr., was from Consuelo, and like many people in Consuelo was a cousin of Rico Carty, whose paternal last name was also Jacobo. Astin Sr. scouted for the Houston Astros, but he was also one of the men who tried to organize the workers in Consuelo and consequently had to flee Trujillo. In the 1970s, the worst period for the South Bronx—when gunfire ignited fires that burned down whole blocks, and many buildings were abandoned—he settled in the Crotona neighborhood. There Jacobo, known as Jacob, became an activist in a troubled and impoverished community, saving buildings, getting City Hall involved, turning abandoned lots into gardens and baseball fields. There is still a street and a baseball field named after him.

His son owned the field in San Pedro, and on most days there was baseball practice there and almost always a few scouts taking a look. On the concrete block of seats behind home plate was written “Scouts Only.”

Dany Santana often went to Astin Field to watch a lean fifteen-year-old pitcher with a hard fastball and a nice breaking ball. Good breaking balls were unusual for young San Pedro pitchers. In his first two years with Tampa Bay, Santana signed twenty-eight players but distinguished himself with pitchers including Cristófar Andújar, Joaquín’s son, and Alexander Colome, also from San Pedro—a closer who at the age of sixteen was already throwing a 97-mile-per-hour fastball.

When his young pitcher went to the mound, Santana took up position behind the backstop with a stopwatch. This was unusual. Scouts usually stood in that spot with a handheld radar gun the size of a hair dryer to check the speed of the fastball. But Tampa Bay scouts were influenced by Eddy Toledo, the veteran scout who signed twenty-seven major leaguers, mostly for the Mets, before switching to Tampa Bay in 2006. Eddy never used a radar gun and frequently said, “I have two eyes: one is to watch arm movement, the other is a radar.” Many organizations emphasize the speed of pitches—especially in the Dominican Republic, where many pitching prospects have only a fastball and a changeup. But Tampa Bay scouts under Toledo were more concerned with the fluidity and speed of the pitcher’s movement than the actual speed of the ball after release. A pitcher with a fast movement was difficult to steal bases on, and they believed that good arm movement was a harbinger of good future development.

This youngster had a very good movement. It was also apparent without a radar gun that his fastball had considerable velocity.

Then Santana spied a young outfielder he didn’t know.

“How old are you?” he asked the boy.

The boy began to glow. He was fifteen years old and a major-league scout was talking to him.

“Are you from San Pedro?”

He was. This was good because, being a Macorisano himself, Santana believed San Pedro players were a quality brand. Furthermore, the boy was from Santa Fe. Santana liked that because a lot of good players had come out of Santa Fe. So he patted the boy on the shoulder and sent him back to the outfield, the player’s stride showing new bounce and his black skin heating to a shade of mahogany.

This was how Santana liked to work: identify talent at fifteen, watch him develop for a year and a half, sign him at sixteen and a half. It would be safer to sign prospects at twenty, but then the organization would not be able to play a hand in their development. Besides, by law all boys who are over sixteen become available for signing on July 2, and that is the day most of the good prospects are bought up by one organization or another.

If a prospect is of age and not signed on July 2, he could be signed at any time of year, so when a scout found talent in a player who was over sixteen, he signed him quickly. That past winter Santana had seen a boy in a field in Barrio México, not far from Tetelo Vargas Stadium. Santana said he “reminded me of Tony Fernández, the way he used his glove.”

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