The Edinburgh Dead - Brian Ruckley [97]
Quire puffed his cheeks out and let his hands hang loose.
“Place’ll never be clean,” Agnes murmured. “Not unless it’s torn down. Burned.”
“Who would come here?” said Quire, shaking his head.
He found it difficult to imagine anyone voluntarily lingering for more than a few moments in a place so unsettling, so polluted. Even the most destitute, the most desperate, could find better hovels than this to doss down in.
“No one,” Agnes agreed with his unspoken thoughts. “No one but the one who set that ward upon the door, eh? One who didn’t find it quite as foul a place as us ordinary folk do. One who liked it, even. Might be, if you’ve got the art to use it, there’s strength to be had here. It’d take a heart as black as the place itself for that, though.”
Quire walked slowly around the room, running a hand along the wall, prodding the corpse of a rat with his foot. There was a small pile of rags and rubble, with the broken spars of a shattered chair projecting from it. As he turned, his trouser leg caught upon the jagged end of one of those fragments of wood.
Irritated, he bent down to unhitch the material. As it came free, he saw, still caught there on the splintered stub of wood, something that made him kneel, and lean close. He did not want to touch it, for the fear and trepidation still ran strong in him, but he did not need to.
“Dog hairs,” he said quietly.
“Dog hairs?” Agnes repeated.
“There’s been dogs in here, and not so very long ago, most likely. One of them snagged themselves here, just as I did. It’s Ruthven, then. Maybe this is his idea of a kennel, for keeping his hounds when they’re not out on the farm. When they’ve got work to do in town, like Carlyle. Or me.”
“Carlyle?”
“Doesn’t matter. Let’s get ourselves out of here. This place is too much for me, rowan charm or no.”
“You’ll not be getting an argument from me,” Agnes said, and led the way back, moving carefully through the short chain of rooms towards the passageway.
As Quire followed her, he was distracted by a dull, frayed cloth tacked up to one of the walls. It hung there like a limp tapestry, its dismal form of a piece with the decrepitude of the house. An oddity. A purposeless elaboration. He tugged gently at it and it came away easily, bits of the wall itself crumbling out as the little nails slipped free.
And Quire found himself staring into a face. The skin of a human face, nailed to the wall; hanging there, soft and horrible, without the structure of bone or muscle to give it shape. Eyelids, nose, cheeks, lips all sagging, a glove puppet taken from the hand it once covered and hung there like a gruesome trophy. For a moment, just a moment, he thought it a piece of worked calf hide, or vellum, formed by some craft he could not imagine into the mockery of a human visage; but he knew it was not. He knew it was precisely what it appeared to be. A man’s face, peeled from his skull.
Quire felt cold horror locking his limbs. He opened his mouth to speak, and no words came. He could not take his gaze from the baggy, ragged pouches of the eye holes. Scraps of the ears clung to the edges of the dreadful mask, a few stray strands of dark hair where it had been torn—or roughly cut—from the scalp.
“Look,” he managed to murmur.
There were little downy feathers tied to its edges with threads. There was a vile, slack weight to the way it hung from the nails.
Quire heard a hiss from Agnes.
“Get out,” she rasped.
But it was too late. The face moved. A slight, convulsive tremor as if some unseen muscles pulled at it. A curl put into those lifeless lips, a tightening of the skin around the voids where the eyes should have been. The fringing feathers shivered. Quire could not breathe. He was pinned by the empty stare, could feel its cold caress upon him. It was, he