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The Egyptologist - Arthur Phillips [1]

By Root 1174 0
intermingled with those that were, and with elements of the finished work. Much of the journal is a letter to you, the letter I never found the right moment to send until now. I intend to untangle all that back in Boston. The second packet begins when I exhausted my supply of the hotel’s stationery and in its place relied on the generosity of colleagues at the Egyptian Government’s Antiquities Service; several score pages are on the letterhead of the Service’s Director-General. Finally, I have nearly filled one very handsome Lett’s #46 Indian and Colonial Rough Diary, the preferred journals of British explorers whilst working in faraway heat and sand, advancing knowledge at the risk of their very hides. Do not worry: the pages torn from its back are none other than the pages of this letter. Together the three documents compose the rough draft of my indisputable masterwork, Ralph M. Trilipush and the Discovery of the Tomb of Atum-hadu.

Also, I am enclosing the letters you have sent me here, your words, kind and cruel intermingled. Seven letters, two cables, and the cable I sent you that was thrown in my face yesterday. And your father’s cables to me.

I just replaced the stylus, my last but one. This is a lovely song.

I am trusting a boy to serve as my messenger to the post.

Over time, Margaret, there is erosion. Sands abrade, rubble obscures, papyri crumble, paints decay. Some of this is, of course, destructive. But some erosion is clarifying, as it scours away false resemblances, uncharacteristic lapses, confusing and inessential details. If, in the course of writing my notes, I have made here and there a wrong turn, misunderstood or badly described something I saw or thought I saw, well, at the time one thinks, No matter, I shall edit when I return home. And I shall. But, of course, should I be beaten to death and shoved inside a gangly Earl’s travelling trunk and then hacked to pieces and my shreds lazily flipped overboard to peckish sharks, well, then, a pity indeed that I did not edit my work when I had the chance. I shall then need a brilliant and courageous redactor who can puff away dusty speculation to reveal stark, cold, obsidian and alabaster truth. You will provide that clarifying erosion.

We come to the crucial task I am entrusting to you, my muse-become-executrix. You are now the guardian-goddess of all that I have accomplished. These writings are the story of my discovery, my trouncing of doubters and self-doubt. I am entrusting to you nothing less than my immortality. I am relying on you, despite everything, for whom else do I have? If something should happen to my body, then you are now responsible—by opening this package, by reading these words—to ensure that my name and the name of Atum-hadu never perish. It is the least you can do for me, Margaret.

You will oversee the publication of this, my last work. Insist on a large printing from a prestigious university press. Stamp your pretty foot and demand shelf space in all major university libraries, as well as with the major Egyptological museums in the USA, Britain, France, Germany, Italy, and in Cairo. And the general public! Cover your ears, Maggie! For there will be a clamour like no one has ever heard when the news escapes. But hold them all at bay until you are ready. Do the work as I am telling you, insist that the book be printed exactly as I say, and give the vultures nothing else.

I do not have time to edit just at the moment; events are moving too fast here. And we leave tomorrow. So I shall do it myself when I arrive safely home, but, allow me to provide contingent guidance if events should unwind elsewise.

For example, as I look at them now, certainly some of the early sketches seem not to have been entirely complete. The eye plays tricks in dim light, when one is hurried, but the final drawings are unquestionably precise, so those first efforts can go. And you will extract my ongoing letter to you, my private or overly candid diary entries here and there. What is only for you and what is for all the world fall away from each other; the

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