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The Elegant Universe - Brian Greene [33]

By Root 2099 0
shoulders—what do you do?

Well, having determined that there is no safe place anywhere on or in the earth to detonate the device, you appear to have only one option: You must launch the device into the depths of outer space where its explosion will cause no damage. You present this idea to a meeting of your team at the FBI and almost immediately your plan is dashed by a young assistant. "There is a serious problem with your plan," your assistant Isaac begins. "As the device gets farther from the earth, its weight will decrease, since its gravitational attraction with the earth will diminish. This means that the reading on the scale inside the device will decrease, causing detonation well before reaching the safety of deep space." Before you have time to fully contemplate this criticism, another young assistant pipes up: "In fact, come to think of it, there is even another problem," your assistant Albert says. "This problem is as important as Isaac's objection but somewhat more subtle, so bear with me as I explain it." Wanting a moment to think through Isaac's objection, you try to hush Albert, but as usual, once he begins there is no stopping him.

"In order to launch the device into outer space we will have to mount it on a rocket. As the rocket accelerates upward in order to penetrate outer space, the reading on the scale will increase, again causing the device to detonate prematurely. You see, the base of the bomb—which rests on the scale—will push harder on the scale than when the device is at rest in the same way that your body is squeezed back into the seat of an accelerating car. The bomb will 'squeeze' the scale just as your back squeezes the cushion in the car seat. When a scale is squeezed, of course, its reading increases—and this will cause the bomb to detonate if the resulting increase is more than 50 percent."

You thank Albert for his comment but, having tuned out his explanation to mentally confirm Isaac's remark, you dejectedly proclaim that it takes only one fatal blow to kill an idea, and Isaac's obviously correct observation has definitively done that. Feeling somewhat hopeless you ask for new suggestions. At that moment, Albert has a stunning revelation: "On second thought," he continues, "I do not think that your idea is dead at all. Isaac's observation that gravity diminishes as the device is lifted into space means that the reading on the scale will go down. My observation that the upward acceleration of the rocket will cause the device to push harder against the scale means that the reading will go up. Taken together, this means that if we carefully adjust the precise moment-to-moment acceleration of the rocket as it moves upward, these two effects can cancel each other out! Specifically, in the early stages of liftoff, when the rocket still feels the full force of the earth's gravity, it can accelerate, just not too severely, so that we stay within the 50 percent window. As the rocket gets farther and farther from the earth—and therefore feels the earth's gravity less and less—we need to increase its upward acceleration to compensate. The increase in the reading from upward acceleration can exactly equal the decrease in the reading from the diminishing gravitational attraction, so, in fact, we can keep the actual reading on the scale from changing at all!"

Albert's suggestion slowly begins to make sense. "In other words," you respond, "an upward acceleration can provide a stand-in or a substitute for gravity. We can imitate the effect of gravity through suitably accelerated motion."

"Exactly," responds Albert.

"So," you continue, "we can launch the bomb into space and by judiciously adjusting the acceleration of the rocket we can ensure that the reading on the scale does not change, thus avoiding detonation until it is a safe distance from earth." And so by playing off gravity and accelerated motion—using the precision of twenty-first-century rocket science—you are able to stave off disaster.

The recognition that gravity and accelerated motion are profoundly interwoven is the key insight that

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