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The Elegant Universe - Brian Greene [71]

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but the terrain has proven to be fraught with danger, and no one has succeeded in traversing it completely. Let's see why.

General Relativity vs. Quantum Mechanics

The usual realm of applicability of general relativity is that of large, astronomical distance scales. On such distances Einstein's theory implies that the absence of mass means that space is flat, as illustrated in Figure 3.3. In seeking to merge general relativity with quantum mechanics we must now change our focus sharply and examine the microscopic properties of space. We illustrate this in Figure 5.1 by zooming in and sequentially magnifying ever smaller regions of the spatial fabric. At first, as we zoom in, not much happens; as we see in the first three levels of magnification in Figure 5.1, the structure of space retains the same basic form. Reasoning from a purely classical standpoint, we would expect this placid and flat image of space to persist all the way to arbitrarily small length scales. But quantum mechanics changes this conclusion radically. Everything is subject to the quantum fluctuations inherent in the uncertainty principle—even the gravitational field. Although classical reasoning implies that empty space has zero gravitational field, quantum mechanics shows that on average it is zero, but that its actual value undulates up and down due to quantum fluctuations. Moreover, the uncertainty principle tells us that the size of the undulations of the gravitational field gets larger as we focus our attention on smaller regions of space. Quantum mechanics shows that nothing likes to be cornered; narrowing the spatial focus leads to ever larger undulations.

As gravitational fields are reflected by curvature, these quantum fluctuations manifest themselves as increasingly violent distortions of the surrounding space. We see the glimmers of such distortions emerging in the fourth level of magnification in Figure 5.1. By probing to even smaller distance scales, as we do in the fifth level of Figure 5.1, we see that the random quantum mechanical undulations in the gravitational field correspond to such severe warpings of space that it no longer resembles a gently curving geometrical object such as the rubber-membrane analogy used in our discussion in Chapter 3. Rather, it takes on the frothing, turbulent, twisted form illustrated in the uppermost part of the figure. John Wheeler coined the term quantum foam to describe the frenzy revealed by such an ultramicroscopic examination of space (and time)—it describes an unfamiliar arena of the universe in which the conventional notions of left and right, back and forth, up and down (and even of before and after) lose their meaning. It is on such short distance scales that we encounter the fundamental incompatibility between general relativity and quantum mechanics. The notion of a smooth spatial geometry, the central principle of general relativity, is destroyed by the violent fluctuations of the quantum world on short distance scales. On ultramicroscopic scales, the central feature of quantum mechanics—the uncertainty principle—is in direct conflict with the central feature of general relativity—the smooth geometrical model of space (and of spacetime).

Figure 5.1 By sequentially magnifying a region of space, its ultramicroscopic properties can be probed. Attempts to merge general relativity and quantum mechanics run up against the violent quantum foam emerging at the highest level of magnification.

In practice, this conflict rears its head in a very concrete manner. Calculations that merge the equations of general relativity and those of quantum mechanics typically yield one and the same ridiculous answer: infinity. Like a sharp rap on the wrist from an old-time schoolteacher, an infinite answer is nature's way of telling us that we are doing something that is quite wrong.6 The equations of general relativity cannot handle the roiling frenzy of quantum foam.

Notice, however, that as we recede to more ordinary distances (following the sequence of drawings in Figure 5.1 in reverse), the random, violent

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