The Elephant to Hollywood - Michael Caine [18]
It was cerebral malaria. Not something you would associate with Sussex, and you would be right. It seemed that Korea was determined not to let me go. When I was finally released from hospital and sent back home to my mother I had lost over forty pounds, my clothes hung off my body and my face had gone a terrible yellow colour. I had been told that my type of malaria was incurable, that I would have to take pills for the rest of my life and that that life would probably not last more than another twenty years. Since it was clear that Hollywood was no longer a possibility, as soon as I could I rang up Alwyn. ‘Well – where have you been?’ he demanded. ‘We thought you’d abandoned us!’ I was so overwhelmed, I started crying. ‘I should warn you,’ I said, gulping back tears, ‘I don’t look the same.’ ‘Oh, don’t I know it!’ he said. ‘I came to see you in hospital. Never mind – we’ll do a season of horror plays.’
In fact I had only been back in Horsham a few weeks when I was summoned back to hospital. The army had found a tropical diseases expert who had come up with a cure for my particular type of malaria and I was to be part of proving him right. I wasn’t the only one. When I arrived on the ward I found all my mates from the unit – and every one of them had turned the colour of a daffodil. We were strapped to our beds for ten days because the medicine we were given made our blood so heavy that if we moved, we would knock ourselves unconscious. I never found out exactly what it was that Colonel Solomons gave us to put us right, but I’m still here, I’m no longer yellow and the reason I leave England in the winter is because I never want to shiver again.
As soon as I’d fully recovered I rang Alwyn again to find out if the job was still open but while I’d been in hospital the company had folded. I never saw Alwyn or Edgar again – although years later, when I was in Beverly Hills, I got a letter from a social worker in Hammersmith, London. He said he had an old man called Alwyn D. Fox lying destitute in one of his wards. Mr Fox, he said, was claiming he had discovered Michael Caine. In all likelihood it was fantasy, but if there was any truth in it, would I mind writing Mr Fox a letter and perhaps sending a small amount of money to make his last few weeks a bit easier? I wrote at once to confirm Alwyn’s story and enclosed a cheque for five thousand dollars. Two weeks later I had another letter from the social worker, returning the cheque. Alwyn had been delighted to get my letter, he wrote, and had spent the day he received it showing it to everyone on the ward. He had died later that night.
No Alwyn Fox meant no job for me, so I headed back to Solosy’s to pick up another copy of The Stage. My time at Horsham meant that I had left the Assistant Stage Manager category behind and could now (with a certain amount of artistic licence) call myself an ‘experienced juvenile’. Unfortunately, my artistic licence extended a bit too far and I added the part of ‘George’ from George and Margaret, a popular play that would have been the next production at Horsham, to my list of parts. When I got to one audition, in a theatre in the east-coast town of Lowestoft, I was taken aback to find that the seventy-year-old director seemed a bit hostile. ‘It says here, you played George in George and Margaret,’ he said. Something was clearly not right. ‘Well, I did,’ I retorted, determined to stick to the story. ‘Well, you’re a bloody liar!’ he roared. ‘You’ve never even seen the play – or you’d know