The Elusive Pimpernel [59]
cruel blow. The brain has been rudely shaken ... and you must lie quite still all to-day, or your poor little head will begin to ache again."
Marguerite turned to look at the speaker, and in spite of her excitement, of her sorrow and of her anxieties, she could not help smiling at the whimsical little figure which sat opposite to her, on a very rickety chair, solemnly striving with slow and measured movement of hand and arm, and a large supply of breath, to get up a polish on the worn-out surface of an ancient pair of buckled shoes.
The figure was slender and almost wizened, the thin shoulders round with an habitual stoop, the lean shanks were encased in a pair of much-darned, coarse black stockings. It was the figure of an old man, with a gentle, clear-cut face furrowed by a forest of wrinkles, and surmounted by scanty white locks above a smooth forehead which looked yellow and polished like an ancient piece of ivory.
He had looked across at Marguerite as he spoke, and a pair of innately kind and mild blue eyes were fixed with tender reproach upon her. Marguerite thought that she had never seen quite so much goodness and simple-heartedness portrayed on any face before. It literally beamed out of those pale blue eyes, which seemed quite full of unshed tears.
The old man wore a tattered garment, a miracle of shining cleanliness, which had once been a soutane of smooth black cloth, but was now a mass of patches and threadbare at shoulders and knees. He seemed deeply intent in the task of polishing his shoes, and having delivered himself of his little admonition, he very solemnly and earnestly resumed his work.
Marguerite's first and most natural instinct had, of course, been one of dislike and mistrust of anyone who appeared to be in some way on guard over her. But when she took in every detail of the quaint figure of the old man, his scrupulous tidiness of apparel, the resigned stoop of his shoulders, and met in full the gaze of those moist eyes, she felt that the whole aspect of the man, as he sat there polishing his shoes, was infinitely pathetic and, in its simplicity, commanding of respect.
"Who are you?" asked Lady Blakeney at last, for the old man after looking at her with a kind of appealing wonder, seemed to be waiting for her to speak.
"A priest of the good God, my dear child," replied the old man with a deep sigh and a shake of his scanty locks, "who is not allowed to serve his divine Master any longer. A poor old fellow, very harmless and very helpless, who had been set here to watch over you.
"You must not look upon me as a jailer because of what I say, my child," he added with a quaint air of deference and apology. "I am very old and very small, and only take up a very little room. I can make myself very scarce; you shall hardly know that I am here. They forced me to it much against my will. ... But they are strong and I am weak, how could I deny them since they put me here. After all," he concluded naively, "perhaps it is the will of le bon Dieu, and He knows best, my child, He knows best."
The shoes evidently refused to respond any further to the old man's efforts at polishing them. He contemplated them now, with a whimsical look of regret on his furrowed face, then set them down on the floor and slipped his stockinged feet into them.
Marguerite was silently watching him, still leaning on her elbow. Evidently her brain was still numb and fatigued, for she did not seem able to grasp all that the old man said. She smiled to herself too as she watched him. How could she look upon him as a jailer? He did not seem at all like a Jacobin or a Terrorist, there was nothing of the dissatisfied democrat, of the snarling anarchist ready to lend his hand to any act of ferocity directed against a so-called aristocrat, about this pathetic little figure in the ragged soutane and worn shoes.
He seemed singularly bashful too and ill at ease, and loath to meet Marguerite's great, ardent eyes, which were fixed questioningly upon him.
"You must forgive me, my daughter," he said shyly, "for concluding
Marguerite turned to look at the speaker, and in spite of her excitement, of her sorrow and of her anxieties, she could not help smiling at the whimsical little figure which sat opposite to her, on a very rickety chair, solemnly striving with slow and measured movement of hand and arm, and a large supply of breath, to get up a polish on the worn-out surface of an ancient pair of buckled shoes.
The figure was slender and almost wizened, the thin shoulders round with an habitual stoop, the lean shanks were encased in a pair of much-darned, coarse black stockings. It was the figure of an old man, with a gentle, clear-cut face furrowed by a forest of wrinkles, and surmounted by scanty white locks above a smooth forehead which looked yellow and polished like an ancient piece of ivory.
He had looked across at Marguerite as he spoke, and a pair of innately kind and mild blue eyes were fixed with tender reproach upon her. Marguerite thought that she had never seen quite so much goodness and simple-heartedness portrayed on any face before. It literally beamed out of those pale blue eyes, which seemed quite full of unshed tears.
The old man wore a tattered garment, a miracle of shining cleanliness, which had once been a soutane of smooth black cloth, but was now a mass of patches and threadbare at shoulders and knees. He seemed deeply intent in the task of polishing his shoes, and having delivered himself of his little admonition, he very solemnly and earnestly resumed his work.
Marguerite's first and most natural instinct had, of course, been one of dislike and mistrust of anyone who appeared to be in some way on guard over her. But when she took in every detail of the quaint figure of the old man, his scrupulous tidiness of apparel, the resigned stoop of his shoulders, and met in full the gaze of those moist eyes, she felt that the whole aspect of the man, as he sat there polishing his shoes, was infinitely pathetic and, in its simplicity, commanding of respect.
"Who are you?" asked Lady Blakeney at last, for the old man after looking at her with a kind of appealing wonder, seemed to be waiting for her to speak.
"A priest of the good God, my dear child," replied the old man with a deep sigh and a shake of his scanty locks, "who is not allowed to serve his divine Master any longer. A poor old fellow, very harmless and very helpless, who had been set here to watch over you.
"You must not look upon me as a jailer because of what I say, my child," he added with a quaint air of deference and apology. "I am very old and very small, and only take up a very little room. I can make myself very scarce; you shall hardly know that I am here. They forced me to it much against my will. ... But they are strong and I am weak, how could I deny them since they put me here. After all," he concluded naively, "perhaps it is the will of le bon Dieu, and He knows best, my child, He knows best."
The shoes evidently refused to respond any further to the old man's efforts at polishing them. He contemplated them now, with a whimsical look of regret on his furrowed face, then set them down on the floor and slipped his stockinged feet into them.
Marguerite was silently watching him, still leaning on her elbow. Evidently her brain was still numb and fatigued, for she did not seem able to grasp all that the old man said. She smiled to herself too as she watched him. How could she look upon him as a jailer? He did not seem at all like a Jacobin or a Terrorist, there was nothing of the dissatisfied democrat, of the snarling anarchist ready to lend his hand to any act of ferocity directed against a so-called aristocrat, about this pathetic little figure in the ragged soutane and worn shoes.
He seemed singularly bashful too and ill at ease, and loath to meet Marguerite's great, ardent eyes, which were fixed questioningly upon him.
"You must forgive me, my daughter," he said shyly, "for concluding