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The Empire Trilogy - J. G. Farrell [156]

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had happened to mention the “troubles” to her a day or two earlier, her mind had been sent back to heaven only knew what lonely Indian station out in the middle of nowhere with a vociferous, gesticulating, hopelessly untrustworthy rabble of natives at the gates; the women had had to be armed, taught how to use a revolver and reminded to save the last shot for themselves. Now, sixty years later, on the one night in years that it mattered, the old lady had remembered her elementary weapon training, found her departed husband’s revolver and, thin lips quivering, buckled it on.

As the Major reasoned with her gently, and drew his chair closer with the intention of disarming her when the time was ripe, the hideous marmalade cat leaped nimbly out of the hat-box in which it had been sleeping, stretched luxuriously, and bunched itself to jump into the old lady’s lap. There it settled, obscuring the buckle which the Major had been hoping to undo. It fixed the Major with a bitter, hostile gaze. The situation seemed hopeless. But at that moment there was a knock on the door and Miss Archer came in, followed by Mrs Roche, both looking serene and capable.

“She mustn’t be allowed to go downstairs wearing it or the twins will die of mortification,” the Major explained, and then hurried away, leaving the matter in their hands.

Since Edward’s moment of inspiration as he roamed the building by candlelight a month or so earlier a great deal of work had been done at the Majestic. It was on a new carpet with new rods that the Major’s patent-leather dancing shoes were now treading as he made his way downstairs, thick and blood-red (which was a good thing since the farther down the stairs they had gone the more copiously had the sack of cats oozed its morbid liquid). True, this carpet came to an abrupt end on reaching the first landing and gave way to the old threadbare and faded one—but in theory it might have come to an end just round the first bend of the banister, the last point that could be glimpsed from any part of the foyer unless one stood on a chair. It was a tribute to Edward’s generous nature that no such parsimonious thought had occurred to him. Besides, although guests do sometimes climb stairs uninvited, out of curiosity, they really had no business going up there at all.

The Major paused for a moment at the foot of the stairs and surveyed the foyer, which, though now empty, was brilliantly lit, first by the crude blaze of the torch which had been lifted out of its iron bracket by the stairs, soaked and set ablaze as a fiery welcome to the guests; then by the great ninety-six-branched chandelier which had earlier been converted to electricity and now, with the failure of the “Do More” generator, had been converted back again—candles had been softened and stuck where necessary on to the lifeless prongs of the empty bulb-sockets. Oil lamps with windows of coloured glass had been hung elsewhere and in the vast open hearth a log fire was burning.

All this blaze of light was picked up and reflected by the waxed and polished tiles on the floor (firmly cemented so that they no longer clinked underfoot); it glinted on the golden cheeks of cherubs, freshly dusted and holding mirrors (which were, however, still peeling behind their polished glass). The great sofas that slumbered round the walls had been dragged out on to the steps one morning and pummelled with carpet-beaters, which raised such a thick grey fog as to mask the sun to a pale amber disc, until at last no more dust would rise. But now they glowed a dark cherry red beneath the gilt oak leaves and tassels, and one could sit down without sneezing. The surface of the reception desk lay like a pool of dark water; had anyone leaned over to sign the register he would have seen his own distinguished features looking up at him as if from an ancient, much-varnished portrait.

The Major’s eye moved back with a hint of anxiety to the dancing flame of the torch at the foot of the stairs. He was not accustomed to seeing a flame allowed to blaze unprotected in the middle of a room—but it

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