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The Empire Trilogy - J. G. Farrell [245]

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growth of geraniums. As they moved away from the bungalow there came a sudden scuffling sound, then silence.

“What was that?”

“Jackal, Sahib.”

They climbed over a low mud wall, through a mass of wild roses still in bloom and scrambled through a shadeless thicket. Suddenly Fleury stopped dead in his tracks, aware that someone was lurking close by in the thicket, watching him. It was a moment before he saw that there was a figure there, a small fat man with a black face and six arms. A path led up to him; it was a shrine. Fleury approached it, accompanied by the bearer holding the umbrella over his head. “Lord Bhairava,” he explained.

Lord Bhairava’s eyes were white in his black face and he appeared to be looking at Fleury with malice and amusement. One of his six arms held a trident, another a sword, another flourished a severed forearm, a fourth held a bowl, while a fifth held a handful of skulls by the hair: the faces of the skulls wore thin mustaches and expressions of surprise. The sixth hand, empty, held up its three middle fingers. Peering closer, Fleury saw that people had left coins and food in the bowl he was holding and more food had been smeared around his chuckling lips, which were also daubed with crimson, as if with blood. Fleury turned away quickly, chilled by this unexpected encounter and anxious to leave this sinister garden without delay.

As they proceeded, one sweet suffocating perfume gave way to another so that, bemused with the heat and exertion, he had the impression of floundering through a new and sensuous element. Presently, another deserted bungalow came into sight, this one even more forlorn than the last, almost roofless, with giant thistles growing up out of the windows. An emaciated cow, horns painted green, was browsing on a few tufts of parched grass that had once been a lawn. Then they stepped over another mud wall into an equally barren but more orderly compound. As they approached Rayne’s bungalow the sound of voices and laughter could be heard in the stillness and heat of the late afternoon.

After the glare of the compound a midnight darkness seemed to prevail on the verandah. A figure advanced out of the gloom and shook Fleury’s hand, welcoming him in loud tones which he recognized as belonging to Rayne. Another figure loomed up, bowed and clicked his heels nearby: this was Burlton who looked after the Treasury. He seemed to be a sensitive young man, anxious to please, and laughing excessively at everything Rayne said. Inside, there was another man, as yet only dimly perceived, who made a motion of bowing from his chair as he was introduced; at the same time he laughed sardonically; his name was Ford, one of the railway engineers. “Always glad to meet a griff,” he drawled.

“We have Ford and his ilk but I’m hanged if the railway will ever reach Krishnapur,” jeered Rayne, who was evidently somewhat drunk. “Where’s that damned bearer? Ram, bring the Sahib a drink... Simkin ! That means champagne, old man. We don’t drink tea in this house.”

Fleury groped his way to a chair and sat down. For a few moments Rayne lapsed into silence and the only sound was his rather heavy breathing. When the bearer returned with a glass of champagne for Fleury, Rayne said loudly: “We call this lad ‘Ram’. That’s not his real name. His real name is Akbar or Mohammed or something like that. We call him Ram because he looks like one. And this is Monkey,” he added as another bearer came in carrying a plate of biscuits. Monkey did not raise his eyes. He had very long arms, it was true, and a rather simian appearance.

“Where are the mems?” Ford wanted to know, but there was no answer.

“Soon it will be cool enough to go for a canter.”

“Why don’t we play cards till then?”

But nobody made any move. Fleury sipped his champagne which had an unpleasant, sour taste. He could hear Chloë moaning on the verandah where she had been tied up by one of the servants. Presently another servant came in bearing a box of cheroots; he was elderly and dignified, but exceedingly small, almost a midget.

“What d’you call this

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