The Empire Trilogy - J. G. Farrell [351]
In due course, however, the Collector had to give up the idea of shovelling under these conditions. The rain was too heavy. He issued an order that all the able-bodied men in the garrison should turn out with shovels during the rare intervals between the downpours. From then on, by day and night, the garrison laboured to keep that shield of earth between themselves and the sepoys. The Collector had the remaining wooden shutters stripped off the Residency windows and dug into the mud of the ramparts to prevent them melting. But to no avail...they continued to wash away in streams of yellow-brown water.
Why would nothing grow on the ramparts? Everywhere else the ground was held solid under the rain by the vast grip of the vegetation which had so rapidly sprung up. But on the ramparts nothing appeared; when the Collector tried transplanting weeds, bushes, vegetation of every kind, within a few hours everything had wilted.
In desperation then he ordered certain solid objects in the Residency to be carried out to arrest that dreadful bleeding away of earth. The furniture was the first to go. He strode about the Residency and the banqueting hall, followed by those men who were still strong enough to lift heavy objects. Every now and again, without a word, he would point at some object, a chair perhaps, or a sideboard or a marquetry table which had graced some Krishnapur drawing-room, and his henchmen would dart forward, seize it, and carry it away. Can you imagine how the owner of a fine chesterfield sofa must have felt to see it thus frogmarched away to its doom under the lashing rain? At this stage the Collector seemed to be sparing only occupied beds and charpoys, his own desk and chair, and the Louis XVI table from the drawing-room. Disputes arose. More than one unwary member of the garrison found that his bed had vanished while he had been defending the rampart against a sepoy assault. Sometimes a person would arrive just as the divan on which he had been sleeping was dragged away.
Sofas and tables, beds, chests, dressers and hatstands were thrown on to, or upended along, the ramparts, but still their strange haemophilia continued. Now the Collector’s finger was pointing at other objects, including even those belonging to himself. Statues were pointed at and the shattered grand piano from the drawing-room in the hope that they might help, if only a little, to shore up the weakest banks of soil. For the Collector knew that he had to have earth as a cushion against the enemy cannons; brickwork or masonry splinters or cracks, wood is useless; only earth is capable of gulping down cannon balls without distress. But still it continued to wash away, around the edges of tables, between the legs and fingers of statues. After each fresh deluge only the skeleton of solid objects, the irregular vertebrae of furniture, trunks, packing-cases and other miscellaneous objects, was left standing over the swamp. Even the trench behind the rampart would be brimming with oozing earth.
When the supply of heavy furniture, and of the more ponderous artistic objects, had been exhausted, there began the rape of “the possessions” which had so long encumbered the Residency and the banqueting hall. Very often the last journeys of these beloved objects were accomplished to the tune of distressing protests, or of heart-rending pleas for clemency. You would have thought that there was no one better fitted in the world to understand these pleas than the Collector. He, at least, was qualified to perceive the beauty and value of “the possessions”. Yet he accompanied their tumbrils without a word, his eyes blank and bloodshot, his fur slicked