The English Patient - Michael Ondaatje [76]
It took five more minutes. Hardy had not moved from the top of the pit, instead was giving him the approximate time left in the freezing. But in truth neither of them could be sure. Since the fuze head had broken off, they were freezing a different area, and the water temperature though cold to him was warmer than the metal.
Then he saw something. He did not dare chip the hole any bigger. The contact of the circuit quivering like a silver tendril. If he could reach it. He tried to rub warmth into his hands.
He breathed out, was still for a few seconds, and with the needle pliers cut the contact in two before he breathed in again. He gasped as the freeze burned part of his hand when he pulled it back out of the circuits. The bomb was dead.
‘Fuze out. Gaine off. Kiss me.’ Hardy was already rolling up the winch and Kip was trying to clip on the halter; he could hardly do it with the burn and the cold, all his muscles cold. He heard the pulleyjerk and just held tight onto the leather straps still half attached around him. He began to feel his brown legs being pulled from the grip of the mud, removed like an ancient corpse out of a bog. His small feet rising out of the water. He emerged, lifted out of the pit into the sunlight, head and then torso.
He hung there, a slow swivel under the tepee of poles that held the pulley. Hardy was now embracing him and unbuckling him simultaneously, letting him free. Suddenly he saw there was a large crowd watching from about twenty yards away, too close, far too close, for safety; they would have been destroyed. But of course Hardy had not been there to keep them back.
They watched him silently, the Indian, hanging onto Hardy’s shoulder, scarcely able to walk back to the jeep with all the equipment – tools and canisters and blankets and the recording instruments still wheeling around, listening to the nothingness down in the shaft.
‘I can’t walk.’
‘Only to the jeep. A few yards more, sir. I’ll pick up the rest.’
They kept pausing, then walking on slowly. They had to go past the staring faces who were watching the slight brown man, shoeless, in the wet tunic, watching the drawn face that didn’t recognize or acknowledge anything, any of them. All of them silent. Just stepping back to give him and Hardy room. At the jeep he started shaking. His eyes couldn’t stand the glare off the windshield. Hardy had to lift him, in stages, into the passenger seat.
When Hardy left, Kip slowly pulled off his wet trousers and wrapped himself in the blanket. Then he sat there. Too cold and tired even to unscrew the Thermos of hot tea on the seat beside him. He thought: I wasn’t even frightened down there. I was just angry – with my mistake, or the possibility that there was a joker. An animal reacting just to protect myself.
Only Hardy, he realized, keeps me human now.
When there is a hot day at the Villa San Girolamo they all wash their hair, first with kerosene to remove the possibility of lice, and then with water. Lying back, his hair spread out, eyes closed against the sun, Kip seems suddenly vulnerable. There is a shyness within him when he assumes this fragile posture, looking more like a corpse from a myth than anything living or human. Hana sits beside him, her dark brown hair already dry. These are the times he will talk about his family and his brother in jail.
He will sit up and flip his hair forward, and begin to rub the length of it with a towel. She imagines all of Asia through the gestures of this one man. The way he lazily moves, his quiet civilisation. He speaks of warrior saints and she now feels he is one, stern and visionary, pausing only in these rare times of sunlight to be godless, informal, his head back again on the table so the sun can