The English Patient - Michael Ondaatje [86]
I remember he turned back, laughing. He pointed his thick finger to the spot by his Adam’s apple and said, ‘This is called the vascular sizood.’ Giving that hollow at her neck an official name. He returned to his wife in the village of Marston Magna, took only his favourite volume of Tolstoy, left all of his compasses and maps to me. Our affection left unspoken.
And Marston Magna in Somerset, which he had evoked for me again and again in our conversations, had turned its green fields into an aerodrome. The planes burned their exhaust over Arthurian castles. What drove him to the act I do not know. Maybe it was the permanent noise of flight, so loud to him now after the simple drone of the Gypsy Moth that had putted over our silences in Libya and Egypt. Someone’s war was slashing apart his delicate tapestry of companions. I was Odysseus, I understood the shifting and temporary vetoes of war. But he was a man who made friends with difficulty. He was a man who knew two or three people in his life, and they had turned out now to be the enemy.
He was in Somerset alone with his wife, who had never met us. Small gestures were enough for him. One bullet ended the war.
It was July 1939. They caught a bus from their village into Yeovil. The bus had been slow and so they had been late for the service. At the back of the crowded church, in order to find seats they decided to sit separately. When the sermon began half an hour later, it was jingoistic and without any doubt in its support of the war. The priest intoned blithely about battle, blessing the government and the men about to enter the war. Madox listened as the sermon grew more impassioned. He pulled out the desert pistol, bent over and shot himself in the heart. He was dead immediately. A great silence. Desert silence. Planeless silence. They heard his body collapse against the pew. Nothing else moved. The priest frozen in a gesture. It was like those silences when a glass funnel round a candle in church splits and all faces turn. His wife walked down the centre aisle, stopped at his row, muttered something, and they let her in beside him. She knelt down, her arms enclosing him.
How did Odysseus die? A suicide, wasn’t it? I seem to recall that. Now. Maybe the desert spoiled Madox. That time when we had nothing to do with the world. I keep thinking of the Russian book he always carried. Russia has always been closer to my country than to his. Yes, Madox was a man who died because of nations.
I loved his calmness in all things. I would argue furiously about locations on a map, and his reports would somehow speak of our ‘debate’ in reasonable sentences. He wrote calmly and joyfully about our journeys when there was joy to describe, as if we were Anna and Vronsky at a dance. Still, he was a man who never entered those Cairo dance halls with me. And I was the man who fell in love while dancing.
He moved with a slow gait. I never saw him dance. He was a man who wrote, who interpreted the world. Wisdom grew out of being handed just the smallest sliver of emotion. A glance could lead to paragraphs of theory. If he witnessed a new knot among a desert tribe or found a rare palm, it would charm him for weeks. When we came upon messages on our travels – any wording, contemporary or ancient, Arabic on a mud wall, a note in English written in chalk on the fender of a jeep – he would read it and then press his hand upon it as if to touch its possible deeper meanings,