The Essays of Montaigne [11]
Montaigne was buried near his own house; but a few years after his decease, his remains were removed to the church of a Commandery of St. Antoine at Bordeaux, where they still continue. His monument was restored in 1803 by a descendant. It was seen about 1858 by an English traveller (Mr. St. John).'—["Montaigne the Essayist," by Bayle St. John, 1858, 2 vols. 8vo, is one of most delightful books of the kind.]— and was then in good preservation.
In 1595 Mademoiselle de Gournay published a new edition of Montaigne's Essays, and the first with the latest emendations of the author, from a copy presented to her by his widow, and which has not been recovered, although it is known to have been in existence some years after the date of the impression, made on its authority.
Coldly as Montaigne's literary productions appear to have been received by the generation immediately succeeding his own age, his genius grew into just appreciation in the seventeenth century, when such great spirits arose as La Bruyere, Moliere, La Fontaine, Madame de Sevigne. "O," exclaimed the Chatelaine des Rochers, "what capital company he is, the dear man! he is my old friend; and just for the reason that he is so, he always seems new. My God! how full is that book of sense!" Balzac said that he had carried human reason as far and as high as it could go, both in politics and in morals. On the other hand, Malebranche and the writers of Port Royal were against him; some reprehended the licentiousness of his writings; others their impiety, materialism, epicureanism. Even Pascal, who had carefully read the Essays, and gained no small profit by them, did not spare his reproaches. But Montaigne has outlived detraction. As time has gone on, his admirers and borrowers have increased in number, and his Jansenism, which recommended him to the eighteenth century, may not be his least recommendation in the nineteenth. Here we have certainly, on the whole, a first-class man, and one proof of his masterly genius seems to be, that his merits and his beauties are sufficient to induce us to leave out of consideration blemishes and faults which would have been fatal to an inferior writer.
THE LETTERS OF MONTAIGNE.
I.——To Monsieur de MONTAIGNE
[This account of the death of La Boetie begins imperfectly. It first appeared in a little volume of Miscellanies in 1571. See Hazlitt, ubi sup. p. 630.]—As to his last words, doubtless, if any man can give good account of them, it is I, both because, during the whole of his sickness he conversed as fully with me as with any one, and also because, in consequence of the singular and brotherly friendship which we had entertained for each other, I was perfectly acquainted with the intentions, opinions, and wishes which he had formed in the course of his life, as much so, certainly, as one man can possibly be with those of another man; and because I knew them to be elevated, virtuous, full of steady resolution, and (after all said) admirable. I well foresaw that, if his illness permitted him to express himself, he would allow nothing to fall from him, in such an extremity, that was not replete with good example. I consequently took every care in my power to treasure what was said. True it is, Monseigneur, as my memory is not only in itself very short, but in this case affected by the trouble which I have undergone, through so heavy and important a loss, that I have forgotten a number of things which I should wish to have had known; but those which I recollect shall be related to you as exactly as lies in my power. For to represent in full measure his noble career suddenly arrested, to paint to you his indomitable courage, in a body worn out and prostrated by pain and the assaults of death, I confess, would demand a far better ability than mine: because, although, when in former years he discoursed on serious and important matters, he handled them in such a manner that it was difficult to reproduce exactly what he said, yet