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The Essays of Montaigne [456]

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Cyrus: "I am not," said he, "less in love with riches than other princes, but rather a better husband; you see with how small a venture I have acquired the inestimable treasure of so many friends, and how much more faithful treasurers they are to me than mercenary men without obligation, without affection; and my money better laid up than in chests, bringing upon me the hatred, envy, and contempt of other princes."

The emperors excused the superfluity of their plays and public spectacles by reason that their authority in some sort (at least in outward appearance) depended upon the will of the people of Rome, who, time out of mind, had been accustomed to be entertained and caressed with such shows and excesses. But they were private citizens, who had nourished this custom to gratify their fellow-citizens and companions (and chiefly out of their own purses) by such profusion and magnificence it had quite another taste when the masters came to imitate it:

"Pecuniarum translatio a justis dominis ad alienos

non debet liberalis videri."

["The transferring of money from the right owners to strangers

ought not to have the title of liberality."

—Cicero, De Offic., i. 14.]

Philip, seeing that his son went about by presents to gain the affection of the Macedonians, reprimanded him in a letter after this manner: "What! hast thou a mind that thy subjects shall look upon thee as their cash-keeper and not as their king? Wilt thou tamper with them to win their affections? Do it, then, by the benefits of thy virtue, and not by those of thy chest." And yet it was, doubtless, a fine thing to bring and plant within the amphitheatre a great number of vast trees, with all their branches in their full verdure, representing a great shady forest, disposed in excellent order; and, the first day, to throw into it a thousand ostriches and a thousand stags, a thousand boars, and a thousand fallow-deer, to be killed and disposed of by the people: the next day, to cause a hundred great lions, a hundred leopards, and three hundred bears to be killed in his presence; and for the third day, to make three hundred pair of gladiators fight it out to the last, as the Emperor Probus did. It was also very fine to see those vast amphitheatres, all faced with marble without, curiously wrought with figures and statues, and within glittering with rare enrichments:

"Baltheus en! gemmis, en illita porticus auro:"

["A belt glittering with jewels, and a portico overlaid with gold."

—Calpurnius, Eclog., vii. 47. A baltheus was a shoulder-belt or

baldric.]

all the sides of this vast space filled and environed, from the bottom to the top, with three or four score rows of seats, all of marble also, and covered with cushions:

"Exeat, inquit,

Si pudor est, et de pulvino surgat equestri,

Cujus res legi non sufficit;"

["Let him go out, he said, if he has any sense of shame, and rise

from the equestrian cushion, whose estate does not satisfy the law."

—Juvenal, iii. 153. The Equites were required to possess a fortune

of 400 sestertia, and they sat on the first fourteen rows behind the

orchestra.]

where a hundred thousand men might sit at their ease: and, the place below, where the games were played, to make it, by art, first open and cleave in chasms, representing caves that vomited out the beasts designed for the spectacle; and then, secondly, to be overflowed by a deep sea, full of sea monsters, and laden with ships of war, to represent a naval battle; and, thirdly, to make it dry and even again for the combat of the gladiators; and, for the fourth scene, to have it strown with vermilion grain and storax,—[A resinous gum.]—instead of sand, there to make a solemn feast for all that infinite number of people: the last act of one only day:

"Quoties nos descendentis arenae

Vidimus in partes, ruptaque voragine terrae

Emersisse feras, et eisdem saepe latebris

Aurea cum croceo creverunt arbuta libro!....

Nec solum nobis silvestria cernere monstra

Contigit; aequoreos ego cum certantibus ursis

Spectavi vitulos, et equorum nomine

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