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The Essays of Montaigne [458]

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that no limit is to be seen, in which it can bound its eye, we

should, in that infinite immensity, discover an infinite force of

innumerable atoms." Here also Montaigne puts a sense quite

different from what the words bear in the original; but the

application he makes of them is so happy that one would declare they

were actually put together only to express his own sentiments. "Et

temporum" is an addition by Montaigne.—Coste.]

Though all that has arrived, by report, of our knowledge of times past should be true, and known by some one person, it would be less than nothing in comparison of what is unknown. And of this same image of the world, which glides away whilst we live upon it, how wretched and limited is the knowledge of the most curious; not only of particular events, which fortune often renders exemplary and of great concern, but of the state of great governments and nations, a hundred more escape us than ever come to our knowledge. We make a mighty business of the invention of artillery and printing, which other men at the other end of the world, in China, had a thousand years ago. Did we but see as much of the world as we do not see, we should perceive, we may well believe, a perpetual multiplication and vicissitude of forms. There is nothing single and rare in respect of nature, but in respect of our knowledge, which is a wretched foundation whereon to ground our rules, and that represents to us a very false image of things. As we nowadays vainly conclude the declension and decrepitude of the world, by the arguments we extract from our own weakness and decay:

"Jamque adeo est affecta aetas effoet aque tellus;"

["Our age is feeble, and the earth less fertile."

—Lucretius, ii. 1151.]

so did he vainly conclude as to its birth and youth, by the vigour he observed in the wits of his time, abounding in novelties and the invention of divers arts:

"Verum, ut opinor, habet novitatem summa, recensque

Natura est mundi, neque pridem exordia coepit

Quare etiam quaedam nunc artes expoliuntur,

Nunc etiam augescunt; nunc addita navigiis sunt

Multa."

["But, as I am of opinion, the whole of the world is of recent

origin, nor had its commencement in remote times; wherefore it is

that some arts are still being refined, and some just on the

increase; at present many additions are being made to shipping."

—Lucretius, v. 331.]

Our world has lately discovered another (and who will assure us that it is the last of its brothers, since the Daemons, the Sybils, and we ourselves have been ignorant of this till now?), as large, well-peopled, and fruitful as this whereon we live and yet so raw and childish, that we are still teaching it it's a B C: 'tis not above fifty years since it knew neither letters, weights, measures, vestments, corn, nor vines: it was then quite naked in the mother's lap, and only lived upon what she gave it. If we rightly conclude of our end, and this poet of the youthfulness of that age of his, that other world will only enter into the light when this of ours shall make its exit; the universe will fall into paralysis; one member will be useless, the other in vigour. I am very much afraid that we have greatly precipitated its declension and ruin by our contagion; and that we have sold it opinions and our arts at a very dear rate. It was an infant world, and yet we have not whipped and subjected it to our discipline by the advantage of our natural worth and force, neither have we won it by our justice and goodness, nor subdued it by our magnanimity. Most of their answers, and the negotiations we have had with them, witness that they were nothing behind us in pertinency and clearness of natural understanding. The astonishing magnificence of the cities of Cusco and Mexico, and, amongst many other things, the garden of the king, where all the trees, fruits, and plants, according to the order and stature they have in a garden, were excellently formed in gold; as, in his cabinet, were all the animals bred upon his territory and in its seas; and the beauty of their manufactures, in jewels,

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