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The Evolution of Bruno Littlemore - Benjamin Hale [136]

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water. Lydia extended a hand to me to help me out. I shivered violently. I despised the cold shock of the air on my wet body. The water flattened my fur heavy against my skin. Mr. and Mrs. Lawrence’s pink and dripping naked bodies fished around in the bubbling water for their sopping garments. Mr. Lawrence was covered with wiry white hair. Mrs. Lawrence was plump and jiggly. Her wet gelatinous breasts slapped around like fish. Mr. Lawrence’s semierect penis was crimson—bright crimson!—before he hurriedly stuffed it back into the genital pouch of his Speedo swimsuit. Lydia vigorously rubbed me down with her towel until all my fluffy fur crackled with static electricity, and then she vigorously rubbed herself half-dry with it before she began, in frantic whips and jerks, to put her clothes back on over her canary yellow swimsuit. Mr. Lawrence busied himself with the job of draining the hot tub—to safely get at the broken glass, I suppose. Regina Lawrence, her sleek body reminding one of a porpoise, approached Lydia.

“I’m sorry, darling, I—”

“No, no,” said Lydia, quickly. “Please, don’t be sorry. It’s fine. Everything’s fine.”

“I hope you’re not upset. Dudley and I thought maybe you would be open to—”

“I’m not upset at all. Just tired. Please don’t worry. We’re going to bed. It was a wonderful evening. Really.”

“If you like. But don’t leave us like that. Come on, now.”

Regina Lawrence opened her arms to her for a hug. She was again wearing both parts of her bipartite red swimsuit. Lydia, now fully clothed, placed herself into her embrace. The wet skin of Regina Lawrence’s body dampened Lydia’s clothes.

Now Lydia and I, holding hands as we walked along the narrow trail of gravel, headed back to our little house on the Lawrence Ranch, a half a mile away from the big house. The lights in the big house were still on behind us. Our feet crunched along the gravel path, and the crickets all chirped their cricket song in the grass.


And now, if you would, please imagine the hands of that symbolic clock that I promised you earlier, spinning themselves faster and faster into a symbolic radial blur. Time passes. After our extended stay at the Lawrence Ranch, Lydia and I moved back to Chicago. When we finally returned from our Ovid-like exile in the wilderness, I could speak, read, and write the English language and had received some of my sentimental education. In fact, it may not have been long after the memory I just related that Lydia and I left the Lawrence Ranch and returned to Chicago. I honestly don’t know why exactly we left the Lawrence Ranch when we did. I won’t pretend to know how much—if at all—our re-relocation to Chicago had to do with this curious incident that I found last night in my memory-box. But our move back may have had to do with many other factors as well. For one thing, I think Lydia missed the city, as did I. She missed its familiarity; she missed feeling her independence. She did not enjoy feeling like a perpetual houseguest. She missed the place she had called home for nearly ten years. We thanked the Lawrences for all their financial support, their kindness, their enduring, tireless, and outrageously generous hospitality. We tearfully said good-bye to Dudley and Regina Lawrence, and even more tearfully to Hilarious Lily, and to Sukie, the dog, to the memory of Hilarious Larry, and most tearfully of all to Clever Hands, who signed Good-bye! to us and kept on waving, even as Lydia’s car was tumbling over the washboards down the narrow dirt road. The sun may have been setting—or rising—painting the mountains behind us in majestic colors. And we left.

Part Four

threadsuns

Above the grayblack wastes.

A tree-

high thought

grasps the light-tone: there are

still songs to sing beyond

mankind.

—Paul Celan

XXVIII

I apologize that it’s been so long since our last session, Gwen. You know I was extremely busy with Woyzeck, which you saw us perform last week. I honestly wasn’t thrilled with the way the performance turned out. We took our bows at the end of it, and our audience

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