The Evolution of Bruno Littlemore - Benjamin Hale [193]
This room essentially looked like the waiting room of a normal doctor’s or dentist’s office, in that it was clean and well-lighted and so on, and even professional-looking—but what was missing from it was a feeling of legitimacy, of—well, legality, a basic lack of fear. Yes, that’s it—this room had a little fear in it, a fear that slightly soured its mood; but only slightly soured, like a whiff of milk that’s just beginning to turn but would probably still be safe to drink. The carpet was a little too thin or too questionably stained, the décor a little too shabby, the walls a little too naked of ornament. We sat down in the cheap metal folding chairs, and Cecília went out and brought us coffee in Styrofoam cups, and sat down to ask me a few polite questions, nothing too serious yet, which questions I answered as politely and as well as I could between sips of coffee. Then Cecília turned to Audrey, asked her a few similar questions, and apologized to us before turning to Sasha and launching into a rapid exchange in Portuguese. I liked Cecília—she was businesslike, but beneath that there was something almost grandmotherly about her, something worldly and kind that I trusted.
The other door in the room softly clicked open and two women came out. They looked surprised to see us sitting there. The older of them held the younger one by a linked arm. I realized from their synchronized gait, bodies, and eyes that they were mother and daughter. The daughter’s face, from her upper lip to her eyes, was covered in a bandage: plaster-wetted gauze was wrapped across her nose, a big adhesive bandage secured it to her face, and a cotton pad strapped over that with white tape wrapped around the back of her head beneath her hair. Both her eyes were swollen-lidded, bloodshot, and bruised purple, as if she’d been in a fistfight. She was breathing through her mouth. The mother dipped a careful nod at Cecília, who nodded back with pursed pink lips and knowing eyes, and they went out. The other door was still slightly ajar. The door swung outward and a little man came out: he was middle-aged, thin, and delicate-looking, with pronounced cheekbones, pewtery hair that glistened like fish skin slicked flat to the sides of his mostly bald head, and a neat black mustache that pointed down from his nose to the corners of his lips; the overall effect of his face evoked an aging matinee star from the era of silent film. A pair of wireframe glasses pincered the bridge of his nose. He was snapping off a pair of bloody surgical gloves and whistling. He wore a string-tied white apron, covered in blood. Then he saw us sitting there, and, still whistling, he jabbed an index finger in the air, probably pretending to have forgotten something, turned back inside and shut the door behind him. For a while we heard the clank and scuttle of things being cleaned up or thrown away, the eek-eek of faucet knobs and the hush of water, accompanied all the while by his tuneful and insouciant whistling. Cecília excused herself, rose, went into the room and added the sound of their muffled conversation to these noises. She came back and sat with us again, reassured us with a