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The Evolution of Bruno Littlemore - Benjamin Hale [24]

By Root 2271 0
was of the more feminine variety: with her fingers, not her hand.

“Good night, Bruno,” said Lydia, and she and the other turned to go.

They were leaving me. For emphasis, I repeat: they were leaving me.

Whether or not they were leaving me forever, I did not know. It was then that I began to realize I would never see my family again. I would never return to the zoo. Never again would I commune with other chimps, never again would I enjoy exercising my limbs on our jungle gym, never again would I have to endure my brother’s bullying or my father’s relentless emotional abuse, nor would I ever again sit in my mother’s lap, nor ever again play with Céleste.

I watched them leave together, Norman and Lydia: when they reached the door, Norm stretched out an arm and touched a row of things on the wall. I heard the noises clack clack clack, and each clack was followed by a section of the room going slowly, then quickly, dark. He clicked the last clack, eliminating the last source of buzzing fluorescent light. Lydia and Norm left the room, shutting the door behind them, ka-chunk. I heard the turning of a key in the lock. For a moment through the smoked-glass door I saw their silhouettes, their two blurry shadows facing one another, speaking. Then their voices vanished together, diminuendoing down the hallway into watery echoes punctuated by the contrapuntal rhythms of their four sneakers squeaking and scrunching on the floor, then an elevator door binging and bonging and scrolling open and then shut, and then silence—and then silence.

So there I was, Gwen—alone, in silence and in darkness and locked in a cage. That morning I had woken up, as usual, with my arms and legs intertangled with the warm arms and legs of my kindred, in the wet and rank interior of our habitat in the zoo, the only home I had ever known, and now night had fallen and I was locked inside a five-by-five-foot minimally furnished cold metal cage in a strange and sterile room, alone, in the dark. The only other time in my life up until this point when I had ever been left alone in a room was during that experiment with the peaches. But because I was not alone during that period of dramatic transition from zoo to not-zoo, I had not yet felt the rush of feelings that rushed into my head now. Among them: panic, terror, abandonment.

Why was I here? Why me? Had I been placed here in this cage to be slaughtered and subsequently devoured like my paternal grandparents were years ago, in darkest Africa? Perhaps, even worse, they were never coming back. I would be left to starve to death in here. All I knew was that I was confined in a space consisting of four walls and a ceiling and a floor, and I did not know why. These thoughts all came gushing into my undeveloped consciousness at once, and a demon of rage entered me.

I screamed. I wept and I screamed. I screamed and I wept. I rattled the bars of the cage. I upset my food bowl, scattering my dehydrated food pellets, sending them skittering in every direction. I threw myself around in the cage, hooting and howling and thrashing and wailing. I ripped up the squishy blue pad on the floor, and I ripped up the fuzzy blue blanket they had given me. With my fingers and toes and gnashing teeth I tore them utterly asunder, into scraps and tatters and fluff, and threw the scraps and tatters and fluff around the cage aimlessly. I yanked hard at the bars of the cage, tried to smash them with my feeble young chimp fists and feet, but the cold hard gleaming metal of the cage did not relent. I do not know for how long I raged. Hours, perhaps. But then—

The lights in the hallway outside the laboratory door came on, in the way fluorescent lights do, the full glow preceded by three false starts. The window in the door to the lab became a luminous panel of soft white light, and the numbers and letters on the door cast shadows of themselves in long ribbons of darkness across the room, over the long tables and the squishy blue mat where my toys lay. I heard a laborious plodding of footsteps in the hall. The volume of the footsteps gradually

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