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The Evolution of Bruno Littlemore - Benjamin Hale [240]

By Root 2429 0
one such person in all my life—could die, or that I would not be present for it. Lydia’s attackers were still on the loose, and always will be. Lydia’s tongue had gone numb, limp, and languageless from the poison in her brain, and so she could not name them, or even describe them. When she died she was as silent as any animal. After they had untimely ripped my child from her womb, and after I had been deported by Animal Control and taken to the LEMSIP biomedical research laboratory in New York (from which, as we know, I escaped), Lydia lost the will to live. The tumor that had been scraped partially and unsuccessfully from her brain could not be killed off with radiation therapy, though her doctors had tried. For the final months of her life, she was utterly speechless. Her hair had fallen out, she grew thin and frail, her sweet fragile skin nearly transparent over her sweet organs and sweet bones. In her final days she was delicate, naked, and silent. Tal nursed her, and loved her, and took care of her, and I hope her presence eased Lydia’s passage to the other side.

And then she died. It was torture for me even to see the inside of that apartment. Before she died, but after she knew that she almost certainly would die, Lydia sold the apartment to Tal for the symbolic price of one dollar. Tal had moved in completely, and after Lydia died she cleared the space of most of its old things. Most of the old furniture was gone. Tal had sold it and bought new furniture, furniture not miasmal with Lydia’s memory. She painted the walls yellow and warmed the place up with all her rustic bohemian artifacts. The dining table and chairs she kept, but little else remained. These rooms that I knew so well that even now I sometimes move through them in my dreams had been stripped and dressed in new clothing.

I left our—Tal’s now—apartment. I left in rage. All this hell in my brain, in my stomach and my chest—why did I have to hide it from the world?

Tal did not ask me if I needed a place to stay, and I did not bother to hint that I did. I could not have slept in that place, anyway. She told me that she had to go, and she did not specify why or where or with whom. I left that place.

The light had failed all around me, and now it was night.

I still had my suitcase in my hand and my hat on my head. The bouquet of green roses I left in the apartment. On the dining table. I hope she forgot to put them in water. I hope they died.

My cheeks were enflamed with crying. My chest was hot with sadness and anger, hatred of the self, and hatred of the world. I stumbled through the streets as if drunk. I was slightly drunk, actually, from the whiskey I’d had earlier. I decided at once to become drunker. I entered an establishment for just such a purpose on Fifty-third Street. It was a restaurant with a bar in the back of it, like Artie’s Shrimp Shanty, where Leon and I had passed many a joyous night beneath that giant rubber shark.

“Table for one?” came a terrifying voice emerging from some unknown height or depth. I looked, and saw that the voicer of these words was a young hostess whose presence I had overlooked in my state of frailty.

“No, thank you,” I said. “I have come for liquids, not solids, therefore I’ll sit at the bar,” which I promptly did, climbing onto a stool at the otherwise deserted bar counter.

The bartender slapped a cardboard coaster before me on the counter.

“Get you anything?” said he.

“A quadruple Scotch on the rocks, please,” said I.

Looking askance at me, the bartender prepared the beverage, and I drank it. Then I ordered another.

I had three of these and entered dreamtime.

I vaguely recall that the bartender engaged me in some sort of dialogue, and I also vaguely recall that at some point he advised me to drink more slowly, then advised me to stop drinking, then told me to stop drinking, then advised me to leave the establishment, then told me to leave, and then, finally, on account of no one’s advice, behest, or agency but my own, I left. I also vaguely recalled the blare and glare of the streets outside, and that

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