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The Evolution of Bruno Littlemore - Benjamin Hale [55]

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their well-intentioned sweetnesses (whenever anyone spoke to her, I felt a sudden spike of galvanization on the flesh of Lydia’s palm) if she would like help finding anything, and Lydia would always respond by tightening her grip on my hand, fluttering the fingers of her free hand in dismissal, shaking her head back and forth in such a way that the strands of hair not bound back in her ponytail whipped about her face, and brusquely saying, “No thank you, we’re just browsing.” To which the salesgirl would respond with some pleasantry and turn to go—then turn back for a moment, and quizzically scrunch up her brow as she filched another look at me, Bruno, Lydia’s presumed child, her long-armed, ugly, hairy freak of a child—before shrugging with the resignation that all was well, and skulking away on her click-clacking pumps to assist another customer.

As I was saying, though, it was this last variety of mannequin that held the most interest for me: the detailed yet deliberately unrealistic humanoid mannequin, the expressionistically stylized variety, the ones on display in the lingerie section, which adjoined the children’s section of the store. Lydia was paying for my new clothes at a counter in the children’s department; all my new clothes were folded up on the countertop, and the clerk behind the counter was removing the plastic hangers from the garments, pressing their sales tags against something on the counter that for each item produced a shrill electronic beep, then folded the items and put them into big plastic sacks while Lydia waited. I padded away from the counter in boredom during this procedure. My fascination was tugging my attention away from them. Whither was it tugging me? It was tugging Bruno’s feet in the direction of the lingerie department. The mannequins there were unlike any other mannequins on display anywhere else in that palace of commerce. The mannequins here had hair, and facial features, and detailed hands and feet, and yet they were still strangely abstracted: their heads were cartoonishly larger than normal human heads, their huge eyes painted onto their faces. They were also clearly sexualized, with thick lush pouty lips, and with larger breasts and wider hips than the other female humanoid mannequins in the store. I fell in love with those plastic girls. They were so sweet-looking, so elegant and delicately sexy—and so apparently unabashed to stand there in full display in public in their dainty underthings, all their pretty frilly bras and panties and corsets, with all kinds of filigrees and silk and satin ribbons and lace embroidery. This was underwear that existed only to be displayed briefly, then slowly (or rapidly, rabidly) removed…. I crept up onto the dais where all these slender, doe-eyed nymphs stood on display. These girls stood or lounged, icy-expressioned, coyly silent, in various poses or reposes of sumptuous seductiveness. One of them lay semireclining, one leg stretched out and the other half-raised, leaning back on her elbows and throwing her head back, showing her body, begging to be desired, asking to be taken. Another stood in a black negligee with matching high-heeled shoes, her weight sunk into one foot, one hand on her hip, the other seemingly frozen in the act of reaching up to her pretty bare plastic shoulder to remove the first of the two straps of the negligee, and a single springy ringlet of dark glossy hair—real hair—dangled wantonly in her fake-eyed face. I reached up to her with my long hirsute arms and my long purple fingers. I reached up to her, to lift up the hem of her negligee, to peer under it, at that beautiful body, those hard shiny legs, to see what lay beneath…

“Bruno?” a voice called out to me, from some unknown height or depth.

I startled at the sound of my name. Somehow, all of those beautiful plastic girls, all those bright sexy fake-eyed lingerie-clad girls came tumbling and crashing down all around me like trunks of falling timber.

“Bruno!” Lydia shouted. She stomped toward me, burdened with big plastic sacks full of my new clothes swishing

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