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The Evolution of Modern Medicine [77]

By Root 827 0
early days mercury was employed for its cure. The surgical cases are of exceptional interest, and No. 38 refers to a case of angina for which he performed a successful operation. This is supposed to have been a tracheotomy, and if so, it is the first in the fourteen centuries that had elapsed since the days of Antyllus.[3] There are other important cases which show that he was a dexterous and fearless surgeon. But the special interest of the work for us is that, for the first time in modern literature, we have reports of post-mortem examinations made specifically with a view to finding out the exact cause of death. Among the 111 cases, there are post-mortem records of cases of gallstones, abscess of the mesentery, thrombosis of the mesenteric veins, several cases of heart disease, senile gangrene and one of cor villosum. From no other book do we get so good an idea of a practitioner's experience at this period; the notes are plain and straightforward, and singularly free from all theoretical and therapeutic vagaries. He gives several remarkable instances of faith healing.

[2] De abditis nonnullis ac mirandis morborum et sanationum causis. 8th, Florence, Gandhi, 1507.

[3] Possibly it was only a case of angina Ludovici, or retro-pharyngeal abscess.


To know accurately the anatomical changes that take place in disease is of importance both for diagnosis and for treatment. The man who created the science, who taught us to think anatomically of disease, was Morgagni, whose "De sedibus et causis morborum per anatomen indagatis"[4] is one of the great books in our literature. During the seventeenth century, the practice of making post-mortem examinations had extended greatly, and in the "Sepulchretum anatomicum" of Bonetus (1679), these scattered fragments are collected.[5] But the work of Morgagni is of a different type, for in it are the clinical and anatomical observations of an able physician during a long and active life. The work had an interesting origin. A young friend interested in science and in medicine was fond of discoursing with Morgagni about his preceptors, particularly Valsalva and Albertini, and sometimes the young man inquired about Morgagni's own observations and thoughts. Yielding to a strong wish, Morgagni consented to write his young friend familiar letters describing his experiences. I am sorry that Morgagni does not mention the name of the man to whom we are so much indebted, and who, he states, was so pleased with the letters that he continually solicited him to send more and more "till he drew me on so far as the seventieth; . . . when I begged them of him in order to revise their contents; he did not return them, till he had made me solemnly promise, that I would not abridge any part thereof" (Preface).

[4] Venice, 1761.

[5] Boerhaave remarked that if a man wished to deserve or get a medical degree from ONE medical author let it be this. (James Atkinson: Medical Bibliography, 1834, 268.)


Born in 1682, Morgagni studied at Bologna under Valsalva and Albertini. In 1711, he was elected professor of medicine at Padua. He published numerous anatomical observations and several smaller works of less importance. The great work which has made his name immortal in the profession, appeared in his eightieth year, and represents the accumulated experience of a long life. Though written in the form of letters, the work is arranged systematically and has an index of exceptional value. From no section does one get a better idea of the character and scope of the work than from that relating to the heart and arteries--affections of the pericardium, diseases of the valves, ulceration, rupture, dilation and hypertrophy and affections of the aorta are very fully described. The section on aneurysm of the aorta remains one of the best ever written. It is not the anatomical observations alone that make the work of unusual value, but the combination of clinical with anatomical records. What could be more correct than this account of angina pectoris--probably the first in the literature? "A lady forty-two
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