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The Expression of Emotion in Man and Animals [136]

By Root 1605 0
remarking that only a very strong blush could be seen, on account of the dirty state of their skins. Three observers state that they do blush;[19] Mr. S. Wilson adding that this is noticeable only under a strong emotion, and when the skin is not too dark from long exposure and want of cleanliness. Mr. Lang answers, "I have noticed that shame almost always excites a blush, which frequently extends as low as the neck." Shame is also shown, as he adds, "by the eyes being turned from side to side." As Mr. Lang was a teacher in a native school, it is probable that he chiefly observed children; and we know that they blush more than adults. Mr. G. Taplin has seen half-castes blushing, and he says that the aborigines have a word expressive of shame. Mr. Hagenauer, who is one of those who has never observed the Australians to blush, says that he has "seen them looking down to the ground on account of shame;" and the missionary, Mr. Bulmer, remarks that though "I have not been able to detect anything like shame in the adult aborigines, I have noticed that the eyes of the children, when ashamed, present a restless, watery appearance, as if they did not know where to look."


[17] Quoted by Prichard, Phys. Hist. of Mankind, 4th edit. 1851, vol. i. p. 225.

[18] Burgess, ibid. p. 31. On mulattoes blushing, see p. 33. I have received similar accounts with respect to, mulattoes.

[19] Barrington also says that the Australians of New South Wales blush, as quoted by Waitz, ibid. p. 135.

The facts now given are sufficient to show that blushing, whether or not there is any change of colour, is common to most, probably to all, of the races of man.

_Movements and gestures which accompany Blushing_.--Under a keen sense of shame there is a, strong desire for concealment.[20] We turn away the whole body, more especially the face, which we endeavour in some manner to hide. An ashamed person can hardly endure to meet the gaze of those present, so that he almost invariably casts down his eyes or looks askant. As there generally exists at the same time a strong wish to avoid the appearance of shame, a vain attempt is made to look direct at the person who causes this feeling; and the antagonism between these opposite tendencies leads to various restless movements in the eyes. I have noticed two ladies who, whilst blushing, to which they are very liable, have thus acquired, as it appears, the oddest trick of incessantly blinking their eyelids with extraordinary rapidity. An intense blush is sometimes accompanied by a slight effusion of tears;[21] and this, I presume, is due to the lacrymal glands partaking of the increased supply of blood, which we know rushes into the capillaries of the adjoining parts, including the retina.


[20] Mr. Wedgwood says (Dict. of English Etymology, vol. iii. 1865, p. 155) that the word shame "may well originate in the idea of shade or concealment, and may be illustrated by the Low German _scheme_, shade or shadow." Gratiolet (De la Phys. pp. 357-362) has a good discussion on the gestures accompanying shame; but some of his remarks seem to me rather fanciful. See, also, Burgess (ibid. pp. 69, 134) on the same subject.

Many writers, ancient and modern, have noticed the foregoing movements; and it has already been shown that the aborigines in various parts of the world often exhibit their shame by looking downwards or askant, or by restless movements of their eyes. Ezra cries out (ch. ix. 6), "O, my God! I am ashamed, and blush to lift up my head to thee, my God." In Isaiah (ch. I. 6) we meet with the words, "I hid not my face from shame." Seneca remarks (Epist. xi. 5) "that the Roman players hang down their heads, fix their eyes on the ground and keep them lowered, but are unable to blush in acting shame." According to Macrobius, who lived in the filth century (`Saturnalia,' B. vii. C. 11), "Natural philosophers assert that nature being moved by shame spreads the blood before herself as a veil, as we see any one blushing often puts his hands before his face." Shakspeare makes Marcus
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