The Expression of Emotion in Man and Animals [60]
at a dog preparing to attack another dog or a man, and at the same animal when caressing his master, or will watch the countenance of a monkey when insulted, and when fondled by his keeper, will be forced to admit that the movements of their features and their gestures are almost as expressive as those of man. Although no explanation can be given of some of the expressions in the lower animals, the greater number are explicable in accordance with the three principles given at the commencement of the first chapter.
[22] `Anatomy of Expression,' 3rd edit. 1844, pp. 138, 121. CHAPTER VI.
SPECIAL EXPRESSIONS OF MAN: SUFFERING AND WEEPING.
The screaming and weeping Of infants--Forms of features-- Age at which weeping commences--The effects of habitual restraint on weeping--Sobbing--Cause of the contraction of the muscles round the eyes during screaming--Cause of the secretion of tears.
IN this and the following chapters the expressions exhibited by Man under various states of the mind will be described and explained, as far as lies in my power. My observations will be arranged according to the order which I have found the most convenient; and this will generally lead to opposite emotions and sensations succeeding each other.
_Suffering of the body and mind: weeping_.--I have already described in sufficient detail, in the third chapter, the signs of extreme pain, as shown by screams or groans, with the writhing of the whole body and the teeth clenched or ground together. These signs are often accompanied or followed by profuse sweating, pallor, trembling, utter prostration, or faintness. No suffering is greater than that from extreme fear or horror, but here a distinct emotion comes into play, and will be elsewhere considered. Prolonged suffering, especially of the mind, passes into low spirits, grief, dejection, and despair, and these states will be the subject of the following chapter. Here I shall almost confine myself to weeping or crying, more especially in children.
Infants, when suffering even slight pain, moderate hunger, or discomfort, utter violent and prolonged screams. Whilst thus screaming their eyes are firmly closed, so that the skin round them is wrinkled, and the forehead contracted into a frown. The mouth is widely opened with the lips retracted in a peculiar manner, which causes it to assume a squarish form; the gums or teeth being more or less exposed. The breath is inhaled almost spasmodically. It is easy to observe infants whilst screaming; but I have found photographs made by the instantaneous process the best means for observation, as allowing more deliberation. I have collected twelve, most of them made purposely for me; and they all exhibit the same general characteristics. I have, therefore, had six of them[1] (Plate I.) reproduced by the heliotype process.
The firm closing of the eyelids and consequent compression of the eyeball,--and this is a most important element in various expressions,--serves to protect the eyes from becoming too much gorged with blood, as will presently be explained in detail. With respect to the order in which the several muscles contract in firmly compressing the eyes, I am indebted to Dr. Langstaff, of Southampton, for some observations, which I have since repeated. The best plan for observing the order is to make a person first raise his eyebrows, and this produces transverse wrinkles across the forehead; and then very gradually to contract all the muscles round the elves with as much force as possible. The reader who is unacquainted with the anatomy of the face, ought to refer to p. 24, and look at the woodcuts 1 to 3. The corrugators of the brow (_corrugator supercilii_) seem to be the first muscles to contract; and these draw the eyebrows downwards and inwards towards the base of the nose, causing vertical furrows, that is a frown, to appear between the eyebrows; at the same time they cause the disappearance of the transverse wrinkles across the forehead. The orbicular muscles contract almost simultaneously with the corrugators, and
[22] `Anatomy of Expression,' 3rd edit. 1844, pp. 138, 121. CHAPTER VI.
SPECIAL EXPRESSIONS OF MAN: SUFFERING AND WEEPING.
The screaming and weeping Of infants--Forms of features-- Age at which weeping commences--The effects of habitual restraint on weeping--Sobbing--Cause of the contraction of the muscles round the eyes during screaming--Cause of the secretion of tears.
IN this and the following chapters the expressions exhibited by Man under various states of the mind will be described and explained, as far as lies in my power. My observations will be arranged according to the order which I have found the most convenient; and this will generally lead to opposite emotions and sensations succeeding each other.
_Suffering of the body and mind: weeping_.--I have already described in sufficient detail, in the third chapter, the signs of extreme pain, as shown by screams or groans, with the writhing of the whole body and the teeth clenched or ground together. These signs are often accompanied or followed by profuse sweating, pallor, trembling, utter prostration, or faintness. No suffering is greater than that from extreme fear or horror, but here a distinct emotion comes into play, and will be elsewhere considered. Prolonged suffering, especially of the mind, passes into low spirits, grief, dejection, and despair, and these states will be the subject of the following chapter. Here I shall almost confine myself to weeping or crying, more especially in children.
Infants, when suffering even slight pain, moderate hunger, or discomfort, utter violent and prolonged screams. Whilst thus screaming their eyes are firmly closed, so that the skin round them is wrinkled, and the forehead contracted into a frown. The mouth is widely opened with the lips retracted in a peculiar manner, which causes it to assume a squarish form; the gums or teeth being more or less exposed. The breath is inhaled almost spasmodically. It is easy to observe infants whilst screaming; but I have found photographs made by the instantaneous process the best means for observation, as allowing more deliberation. I have collected twelve, most of them made purposely for me; and they all exhibit the same general characteristics. I have, therefore, had six of them[1] (Plate I.) reproduced by the heliotype process.
The firm closing of the eyelids and consequent compression of the eyeball,--and this is a most important element in various expressions,--serves to protect the eyes from becoming too much gorged with blood, as will presently be explained in detail. With respect to the order in which the several muscles contract in firmly compressing the eyes, I am indebted to Dr. Langstaff, of Southampton, for some observations, which I have since repeated. The best plan for observing the order is to make a person first raise his eyebrows, and this produces transverse wrinkles across the forehead; and then very gradually to contract all the muscles round the elves with as much force as possible. The reader who is unacquainted with the anatomy of the face, ought to refer to p. 24, and look at the woodcuts 1 to 3. The corrugators of the brow (_corrugator supercilii_) seem to be the first muscles to contract; and these draw the eyebrows downwards and inwards towards the base of the nose, causing vertical furrows, that is a frown, to appear between the eyebrows; at the same time they cause the disappearance of the transverse wrinkles across the forehead. The orbicular muscles contract almost simultaneously with the corrugators, and