The Eyre Affair_ A Novel - Jasper Fforde [45]
“. . . despite intervention by the French and a Russian guarantee of safe habitation for English settlers, it looks as though the English government will not be resuming its place around the table at Budapest. With England still adamant about an offensive using the new so-called Stonk plasma rifle, peace will not be descending on the Black Sea peninsula . . .”
The anchorman shuffled some papers.
“Home news now, and violence flared again in Chichester as a group of neosurrealists gathered to celebrate the fourth anniversary of the legalization of surrealism. On the spot for Toad News Network is Henry Grubb. Henry, how are things down there?”
A shaky live picture came onto the screen, and I stopped for a moment to watch. Behind Grubb was a car that had been overturned and set on fire, and several officers were in riot gear. Henry Grubb, who was in training for the job of Crimean correspondent and secretly hoped that the war wouldn’t end until he had had a chance to get out there, wore a navy blue flak jacket and spoke with the urgent, halting speech of a correspondent in a war zone.
“Things are a bit hot down here, Brian. I’m a hundred yards from the riot zone and I can see several cars overturned and on fire. The police have been trying to keep the factions apart all day, but the sheer weight of numbers has been against them. This evening several hundred Raphaelites surrounded the N’est pas une pipe public house where a hundred neosurrealists have barricaded themselves in. The demonstrators outside chanted Italian Renaissance slogans and then stones and missiles were thrown. The neosurrealists responded by charging the lines protected by large soft watches and seemed to be winning until the police moved in. Wait, I can just see a man arrested by the police. I’ll try and get an interview.”
I shook my head sadly and put some shoes in the bottom of the wardrobe. There was violence when surrealism was banned and there was violence as the same ban was lifted. Grubb continued his broadcast as he intercepted a policeman marching away a youth dressed in sixteenth-century garb with a faithful reproduction of the “Hand of God” from the Sistine chapel tattooed on his face.
“Excuse me, sir, how would you counter the criticism that you are an intolerant bunch with little respect for the value of change and experimentation in all aspects of art?”
The Renaissancite glanced at the camera with an angry scowl.
“People say we’re just Renaissancites causing trouble, but I’ve seen Baroque kids, Raphaelites, Romantics and Mannerists here tonight. It’s a massive show of classical artistic unity against these frivolous bastards