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The Far Pavilions - Mary Margaret Kaye [415]

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crept out from among the tree-trunks, creating an illusion that the place was an island surrounded by shallow water.

As he came nearer Ash could glimpse the saffron-clad figures of priests moving to and fro, and looking towards the city he saw that there were horsemen on the road, riding at a gallop to judge by the dust cloud that rose up behind them and partly obscured the groups of pedestrians that followed in their wake. Presently the twin forts that crowned the hills to the left and right of the city caught the first rays of the sun and flamed red-gold against the cool aquamarine of the sky, and now from every corner of the plain pale smudges of dust told of parties of people converging on the burning-ground in carts and dhoolies, on horseback or on foot. It was clearly time to get to the grove, and obedient to the pressure of Ash's knee, Dagobaz quickened his pace.

Once among the trees on the eastern fringe of the grove, Ash dismounted and led his horse towards the ruins of an ancient chattri surmounted by a triple dome. There were several tunnel-like passages in the massive plinth, some of them leading directly to a central tank that was open to the sky, while others sloped sharply upward and had once contained stairways that led up to the broad terrace overlooking it. The stairs had fallen long ago, and nowadays no one visited the ruined chattri, but one of the passages was still in good repair, and as a temporary stable would be far cooler and more comfortable than the charcoal-seller's shed.

Ash tethered Dagobaz to a fallen block of masonry and fetched water from the tank in a canvas bucket that he had brought with him. He had also brought grain and a small bundle of bhoosa in a saddle-bag, for he knew that Sarji might not be able to collect the horse for another hour or two, and that after that there would be no stopping until they were clear of the valley and far along the trail through the hills. So it was necessary to supply Dagobaz with food and water now.

The water was green and stagnant, but that wild gallop across the dusty plain had made Dagobaz thirsty and he drank it gratefully. When he had finished, Ash fetched a second bucket-full and wedged it carefully between two blocks of sandstone so that it would not collapse. Dagobaz smelt it but did not drink, and ignoring the bhoosa, dropped a wet affectionate nose onto his master's shoulder, nuzzling him as though he sensed that there was something wrong.

‘You'll be all right with Sarji,’ consoled Ash huskily. ‘He'll take care of you… you'll be all right.’ He put an arm about the black head and gave it a brief, hard hug, and then pushing it aside, turned on his heel and walked out of the shadowed archway into the brightness of the sunrise.

The fringes of the grove were still deserted, but near the centre the sound of bird-song gave place to the voices of men. Where the trees stopped behind the chattris that faced the open sweep of the burning-ground, groups of people could be seen hurrying to and fro: enterprising vendors of food and drink busily setting up their stalls under the shade of the branches, and already serving a handful of early customers. But as yet there did not appear to be many spectators, and although there were a score of priests and officials and a number of men in the uniform of the palace guard in the clearing, none showed any interest in Ash, since all were far too busy supervising the construction of the pyre and talking among themselves.

The chattri nearest to them was a larger and more elaborately decorated version of the far older one where he had left Dagobaz, being built in the form of a hollow square surrounding a vast tank. But here the stairways in the thickness of the outer wall were in excellent repair, and Ash climbed one, and reaching the broad stone terrace without being molested, took up a position in the angle between the outer parapet and the wall of a small pavilion that flanked a much larger central one consisting of three tiers of diminishing width, each tier composed of graceful pillared arches with the final

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