The FBI Thrillers Collection Books 1-5 - Catherine Coulter [488]
“So Cotter wants out?”
“No, Cotter wants to run everything. I’ve told him he’s too short. It would help if he’d wear elevator shoes. Tall men, like our father, like you, get all the respect. Cotter’s too dark as well. He looks like a gangster.”
“What did Cotter say to that?” I asked, fascinated.
“I believe he ordered some elevator shoes from a catalogue. He might wear them now for all I know. He still looks like a thug though. No way he can ever change that.”
“You’re very informative all of a sudden, Miss Tarcher. What’s Cal stand for?”
“You don’t want to know, trust me.” She took two steps toward me and very slowly laid her open palms on my chest. “It stands for Calista. I like you, Mac.”
I closed my hands over hers and lightly tugged them away. “Thank you. Actually, Calista isn’t bad, but I like Cal better. It sounds more natural. I don’t know what to think of you, Cal. I think that the picture you present to the world and how the world responds to that picture must amuse you tremendously.”
She drew her hands free of mine and backed up until she was leaning against the desk.
“Don’t bother to deny it. I saw the real you yesterday. You forgot to hide yourself for a moment there when I walked you to your car. I saw arrogance in you, certainty. I have this feeling that you’re laughing at the whole town, that you think they’re all fools. Maybe you are jealous of Jilly. Or maybe she’s seen the real you and she’s jealous of you. What do you think?”
“Is this the FBI speaking?” There was amusement in her voice and a smile on her mouth.
“Nope.”
“You a profiler?”
“I’m in Counter-Terrorism. Jilly is very beautiful. Why would she be jealous of you?”
Cal just shook her head, the abrupt movement clearly telling me that she was tired of this game. Standing there in the shadows cast by the Tiffany lamp, she said suddenly, “Please don’t move. I just want to sketch you. Is that okay?”
I was too startled to say anything. She dashed out of the room, leaving me there alone with two nearly empty Coors cans.
She came back into the room a couple of minutes later, holding a large sketch pad and a thick charcoal pencil in her hand. “Don’t move, please,” she said, walking quickly toward the desk.
I nodded. I looked at her as she flipped open the sketch pad, flipped through several pages, and propped the pad up on her thighs. Her face changed completely. There wasn’t a hint of frump. I saw an intense woman who bristled with focus. This was a strong woman. I started to raise my hand, but she said, “No, Mac, don’t move, please.”
“I’ve never had anyone sketch me before. Can I at least talk?”
“Yes,” she said, not really paying any attention to me, just drawing on the paper.
“Why do you dress like this?”
“Shut up.”
“You said I could talk. The jeans you wore yesterday, they were huge, baggy. You were wearing a man’s shirt. Why, Cal? Why were you hiding yourself?”
“I want men to desire me for my brain.”
I laughed, I couldn’t help myself. I tried to think of a less controversial question and said, “Do you think Maggie is sleeping with Rob Morrison?”
Her charcoal stopped cold in mid-stroke. She stared at me, her lips pursed. “He’s so beautiful he could sleep with any woman he wanted. Why not Maggie?” She began sketching again, more quickly now, her strokes deep and fast, rather like really good sex, I thought.
She stopped suddenly, the charcoal pencil poised over the paper, and she stared at me. She was breathing hard. Her hands were shaking, her lips slightly parted.
“Done?” I asked, looking at her hands.
She didn’t say anything, just set down the