The Feast of Love - Charles Baxter [63]
TWELVE
BECAUSE THE NEXT MORNING was a Saturday, and my Esther was sleeping at last, perhaps only for a few minutes, the tossing-and-turning kind of sleep, I rolled quietly off my side of the bed and took a shower. I took care not to drop the bar of soap. I shaved my face (my features are porcine, coarse, and bristly — I have a snout like a wild boar, and yet, I think, I am handsome), not looking into my own eyes, avoiding self-commentary on the bags underneath them. I cooked some oatmeal for myself and then fed the goldfish, Julius and Ethel.
I went into my study and pulled out the checkbook from the desk drawer. I am familiar with clutter, with the diffusion of philosophy into papers and bookmarks and the scatterings of thought. I wrote out a check to the order of my son Aaron Ginsberg (it was not for as much as he had asked). And then I realized: no no no, I cannot send the boy a check with my bank account number on it. He is wily, he and his strange dangerous friends. They will find a way of ordering the bank to send them all the money in my account. I do not know how they will do this, but they will know. These children of ours have befriended computers, and the terrible dangerous computers will help them help themselves.
So I therefore drove, this bright sunny morning, to the branch bank that kept its offices open on Saturday. By this time it was nine o’clock, by the official clocks. The sun shone its burning rays on the landscapes of my life, the real world that made Plato so unhappy. My bank teller’s name was Theresa. I seem to remember that she wore glasses. I was beyond having any certain opinions on her appearance, however, this girl, her beauty or lack of it. Perhaps she belonged to somebody, in the amorous way of things. Perhaps she gave off an odor of lilac. What was that to me? What, may I ask, was the odor of sachet of lilac from a bank teller to me that morning? We were in separate galaxies. We were lit by separate lights and we cast separate shadows. I was managing a catastrophe, and she was working as a clerk in a bank.
Theresa, I said when I reached her window, my throat dry, I need a cashier’s check made out to my son, Aaron Ginsberg. It must come from my savings. I handed the passbook and the withdrawal slip to her, and she checked my balance and quickly typed up the check on a machine. Thank you, I said. She must have smiled, such people do all the time, after all, but I must confess that it made no impression on me. I returned to my Ford car and drove home.
Back in my study I wrote a brief note to my son, asking for . . . asking for what? For his assurance that he would spend it wisely? We were beyond such tender father-son messages. (A maddening tune was going through my head, “Twentieth-Century Blues.”) I asked my son Aaron not to make good on his threat to end his life. On my desk was a picture of him, smiling into the white-cotton sunshine on a tennis court, on a singular day when he was healthy and happy.
I enclosed the check with this note. On the front of the envelope I attached a stamp — the American flag. Well, I don’t mean for these details to have an oppressive poignancy. I stamped the letter and wrote his name and address, a post office box number, on it. I walked to the corner and dropped it in the mailbox. In the dark it lay among the other fellow letters, whispering to one another their messages of love and longing and betrayal.
But almost as soon as I released the metallic lip of the box, I remembered that Aaron had instructed me to send the money by express mail, as a sign of his last-minute emergency condition, the bloodletting of his threatened mortality.