The Feast of the Goat - Mario Vargas Llosa [3]
Do you despise him? Do you hate him? Still? “Not anymore,” she says aloud. You wouldn’t have come back if the rancor were still sizzling, the wound still bleeding, the deception still crushing her, poisoning her, the way it did in your youth, when studying and working became an obsessive defense against remembering. Back then you did hate him. With every atom of your being, with all the thought and feeling your body could hold. You wanted him to suffer misfortunes, diseases, accidents. God granted your wish, Urania. Or rather, the devil did. Isn’t it enough that the cerebral hemorrhage brought him a living death? A sweet revenge that he has spent the last ten years in a wheelchair, not walking or talking, depending on a nurse to eat, lie down, dress, undress, trim his nails, shave, urinate, defecate? Do you feel avenged? “No.”
She drinks a second glass of water and goes out. It’s seven in the morning. On the ground floor of the Jaragua she is assaulted by the noise, that atmosphere, familiar by now, of voices, motors, radios blaring at full volume, merengues, salsas, danzones, boleros, rock, rap, all jumbled together, assailing one another and assailing her with their shrill clamor. Animated chaos, the profound need in what was once your people, Urania, to stupefy themselves into not thinking and, perhaps, not even feeling. An explosion of savage life, immune to the tide of modernization. Something in Dominicans clings to this prerational, magical form: this appetite for noise. (“For noise, not music.”)
She doesn’t remember a commotion like this in the street when she was a girl and Santo Domingo was called Ciudad Trujillo. Perhaps it didn’t exist back then: perhaps, thirty-five years ago, when the city was three or four times smaller, provincial, isolated, made wary by fear and servility, its soul shrinking in terrified reverence for the Chief, the Generalissimo, the Benefactor, the Father of the New Nation, His Excellency Dr. Rafael Leonidas Trujillo Molina, it was quieter and less frenetic. Today, all the clamor of life—car engines, cassettes, records, radios, horns, barks, growls, human voices—seems to resound at top volume, producing vocal, mechanical, digital, or animal noise at maximum capacity (dogs bark louder, birds chirp with more enthusiasm). And New York is famous for being noisy! Never, in the ten years she has spent in Manhattan, have her ears been subjected to anything like the brutal, cacophonous symphony in which she has been immersed for the past three days.
The sun burns the silvery tops of towering palms, the broken sidewalk with so many holes it looks bombed, the mountains of trash that some women with scarves tied around their heads sweep up and collect in inadequate bags. “Haitians.” They’re silent now, but yesterday they were whispering among themselves in Creole. A little farther on, she sees two barefoot, half-naked Haitian men sitting on boxes under dozens of vividly colored paintings displayed on the wall of a building. It’s true, the city, perhaps the country, has filled with Haitians. Back