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The Feminine Mystique - Betty Friedan [136]

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road there were two colonial houses, each with a big, comfortable living room, a small library, a formal dining room, a big cheerful kitchen, four bedrooms, an acre of garden and lawn, and, in each family, one commuting husband and three school-age children. Both houses were well-kept, with a cleaning woman two days a week; but the cooking and the other housework was done by the wife, who in each case was in her late thirties, intelligent, healthy, attractive, and well-educated.

In the first house, Mrs. W., a full-time housewife, was busy most of every day with cooking, cleaning, shopping, chauffeuring, taking care of the children. Next door Mrs. D., a microbiologist, got most of these chores done before she left for her laboratory at nine, or after she got home at five-thirty. In neither family were the children neglected, though Mrs. D.’s were slightly more self-reliant. Both women entertained a fair amount. Mrs. W., the housewife, did a lot of routine community work, but she did not “have time” to take a policy-making office—which she was often offered as an intelligent capable woman. At most, she headed a committee to run a dance, or a PTA fair. Mrs. D., the scientist, did no routine community work, but, in addition to her job and home, played in a dedicated string quintet (music was her main interest outside of science), and held a policy-making post in the world-affairs organization which had been an interest since college.

How could the same size house and the same size family, under almost identical conditions of income, outside help, style of life, take so much more of Mrs. W.’s time than of Mrs. D.’s? And Mrs. W. was never idle, really. She never had time in the evening to “just read,” as Mrs. D. often did.

In a large, modern apartment building in a big eastern city, there were two six-room apartments, both a little untidy, except when the cleaning woman had just left, or before a party. Both the G.’s and the R.’s had three children under ten, one still a baby. Both husbands were in their early thirties, and both were in demanding professional work. But Mr. G., whose wife is a full-time housewife, was expected to do, and did, much more housework when he got home at night or on Saturday than Mr. R., whose wife was a freelance illustrator and evidently had to get the same amount of housework done in between the hours she spent at her drawing table. Mrs. G. somehow couldn’t get her housework done before her husband came home at night and was so tired then that he had to do it. Why did Mrs. R., who did not count the housework as her main job, get it done in so much less time?

I noticed this pattern again and again, as I interviewed women who defined themselves as “housewives,” and compared them to the few who pursued professions, part or full time. The same pattern held even where both housewife and professional had full-time domestic help, though more often the “housewives” chose to do their own housework, full time, even when they could well afford two servants. But I also discovered that many frantically busy full-time housewives were amazed to find that they could polish off in one hour the housework that used to take them six—or was still undone at dinnertime—as soon as they started studying, or working, or had some other serious interest outside the home.

Toying with the question, how can one hour of housework expand to fill six hours (same house, same work, same wife), I came back again to the basic paradox of the feminine mystique: that it emerged to glorify woman’s role as housewife at the very moment when the barriers to her full participation in society were lowered, at the very moment when science and education and her own ingenuity made it possible for a woman to be both wife and mother and to take an active part in the world outside the home. The glorification of “woman’s role,” then, seems to be in proportion to society’s reluctance to treat women as complete human beings; for the less real function that role has, the more it is decorated with meaningless details to conceal its emptiness. This phenomenon

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