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The Feminine Mystique - Betty Friedan [53]

By Root 2036 0
unsexed non-women who burned with such envy for the male organ that they wanted to take it away from all men, or destroy them, demanding rights only because they lacked the power to love as women. Mary Wollstonecraft, Angelina Grimké, Ernestine Rose, Margaret Fuller, Elizabeth Cady Stanton, Julia Ward Howe, Margaret Sanger all loved, were loved, and married; many seem to have been as passionate in their relations with lover and husband, in an age when passion in woman was as forbidden as intelligence, as they were in their battle for woman’s chance to grow to full human stature. But if they, and those like Susan Anthony, whom fortune or bitter experience turned away from marriage, fought for a chance for woman to fulfill herself, not in relation to man, but as an individual, it was from a need as real and burning as the need for love. (“What woman needs,” said Margaret Fuller, “is not as a woman to act or rule, but as a nature to grow, as an intellect to discern, as a soul to live freely, and unimpeded to unfold such powers as were given her.”)

The feminists had only one model, one image, one vision, of a full and free human being: man. For until very recently, only men (though not all men) had the freedom and the education necessary to realize their full abilities, to pioneer and create and discover, and map new trails for future generations. Only men had the vote: the freedom to shape the major decisions of society. Only men had the freedom to love, and enjoy love, and decide for themselves in the eyes of their God the problems of right and wrong. Did women want these freedoms because they wanted to be men? Or did they want them because they also were human?

That this is what feminism was all about was seen symbolically by Henrik Ibsen. When he said in the play “A Doll’s House,” in 1879, that a woman was simply a human being, he struck a new note in literature. Thousands of women in middle-class Europe and America, in that Victorian time, saw themselves in Nora. And in 1960, almost a century later, millions of American housewives, who watched the play on television, also saw themselves as they heard Nora say:

You have always been so kind to me. But our home has been nothing but a playroom. I have been your doll wife, just as at home I was Papa’s doll child; and here the children have been my dolls. I thought it great fun when you played with me, just as they thought it fun when I played with them. That is what our marriage has been, Torvald…

How am I fitted to bring up the children?…There is another task I must undertake first. I must try and educate myself—you are not the man to help me in that. I must do that for myself. And that is why I am going to leave you now…I must stand quite alone if I am to understand myself and everything about me. It is for that reason that I cannot remain with you any longer…

Her shocked husband reminds Nora that woman’s “most sacred duties” are her duties to her husband and children. “Before all else, you are a wife and mother,” he says. And Nora answers:

I believe that before all else I am a reasonable human being, just as you are—or, at all events, that I must try and become one. I know quite well, Torvald, that most people would think you right, and that views of that kind are to be found in books; but I can no longer content myself with what most people say or with what is found in books. I must think over things for myself and get to understand them…

It is a cliché of our own time that women spent half a century fighting for “rights,” and the next half wondering whether they wanted them after all. “Rights” have a dull sound to people who have grown up after they have been won. But like Nora, the feminists had to win those rights before they could begin to live and love as human beings. Not very many women then, or even now, dared to leave the only security they knew—dared to turn their backs on their homes and husbands to begin Nora’s search. But a great many, then as now, must have found their existence as housewives so empty that they could no longer savor the

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